Antique lithograph of the Sulphur-crested Cockatoo by Roland Green, hand-colored.
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Original engravings from the 17th–19th century.
This original early twentieth-century hand-colored lithograph depicts Cacatua galerita, the White Cockatoo, one of Australia’s most emblematic parrots. The plate forms part of The Birds of Australia, the monumental ornithological work authored by Gregory M. Mathews and illustrated here by Roland Green.
The cockatoo is portrayed in calm profile, perched upon a textured eucalyptus branch, its sulphur-yellow crest subtly raised — a restrained yet unmistakable signal of vitality within an otherwise immaculate white form.
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Green composes the figure with sculptural clarity. The plumage is rendered through delicate gradations of warm ivory and pale ash, allowing feather layering to emerge without heaviness. The controlled use of shadow beneath the wing creates volume while preserving luminosity.
The restrained palette — white, soft grey, bark-brown and the refined flash of sulphur yellow — produces an elegant chromatic balance. The bird’s black beak and dark eye anchor the composition, introducing contrast and psychological presence. The result is a plate that feels both naturalistic and quietly monumental.
The Sulphur-crested Cockatoo is native to eastern and northern Australia and has long fascinated European naturalists for its intelligence and striking appearance. Its expressive crest serves as a communicative tool, raised in excitement or alarm.
By the early twentieth century, parrots such as Cacatua galerita had become symbols of Australia’s distinctive avifauna, representing both the continent’s ecological uniqueness and the expanding scientific documentation of its wildlife.
This engraving originates from The Birds of Australia, Gregory M. Mathews’ ambitious early twentieth-century ornithological enterprise. Conceived as a definitive scientific record, the publication combined rigorous taxonomy with exceptional artistic collaboration. Learn more in our editorial feature: Gregory M. Mathews and The Birds of Australia .
Very good antique condition. Fresh original hand-coloring with strong lithographic impression. Printed on fine early twentieth-century wove paper. Minor age toning consistent with age. No significant defects observed.
For further insight into the artistic legacy behind this plate: Roland Green – Dynamic Vision and Field Precision
Specific References
Western Black-eared Cuckoo (Owenavis rogersi) – Original lithograph by Henrik Grønvold.
Antique lithograph of the Western Smutty Parrot & Smutty Parrot by Roland Green.
Australian Red-Tailed Tropic Bird (Phaëthon westralis), original Mathews lithograph.
Gold-breasted Lorikeet lithograph by Henrik Grønvold, dynamic dual composition.
Original lithograph of the Mountain Duck by Henrik Grønvold (Casarca tadornoides).
Western Musk Duck (Biziura westensis) – Original antique bird print by H. Grønvold.
Antique lithograph of the Cloncurry Parrot & South Australian Mallee Parrot by Roland Green.
Original lithograph of the Black Swan by J.G. Keulemans (Chenopis atrata).
Square-tailed Cuckoo (Cacomantis pyrrophanus) – Original lithograph by Henrik Grønvold.
Original 1774 engraving by Jacob L'Admiral: Moths and Larvae on Fruit Tree Branch.