Original lithograph of the Western Purple Kingfisher (Alcyone alisteri) by Roland Green
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Original engravings from the 17th–19th century.
This original early twentieth-century hand-colored lithograph depicts Alcyone alisteri, the Western Purple Kingfisher. The plate forms part of Gregory M. Mathews’ monumental publication The Birds of Australia, illustrated by Roland Green and issued by Witherby & Co.
Rendered as a poised pair along a riverside branch, the composition captures the species’ saturated violet plumage and fiery orange underparts, heightened by the dramatic inclusion of a freshly caught fish held in the foreground bird’s beak.
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Roland Green structures the plate around a powerful diagonal axis. The primary figure dominates the lower register, its elongated bill extending forward with decisive clarity. The deep purple mantle transitions into rich burnt-orange underparts, producing a chromatic contrast that feels almost jewel-like in its intensity.
The secondary bird, placed higher and slightly withdrawn, introduces compositional balance and narrative layering. Behind them, the softly rendered riverbank and water surface create atmospheric depth without competing with the subjects. The pale blue background wash allows the violet plumage to resonate with exceptional brilliance.
The presence of the fish transforms the plate from static portraiture into living moment. It is this subtle drama—precision without theatrical excess—that gives the sheet its refined decorative authority.
The Western Purple Kingfisher inhabits riparian woodlands and watercourses in northern and western Australia. Like other kingfishers, it relies on sharp visual acuity and rapid strikes to capture small fish and aquatic prey.
Mathews’ inclusion of both birds and prey reflects scientific observation as well as compositional intent. The plate documents feeding behaviour while preserving the remarkable colour saturation that distinguishes this species within the kingfisher family.
This lithograph originates from The Birds of Australia, Gregory M. Mathews’ ambitious early twentieth-century ornithological enterprise. Conceived as a definitive scientific record, the work united rigorous taxonomy with the refined artistry of leading wildlife illustrators, producing one of the most authoritative visual catalogues of Australian birdlife. Explore the broader historical scope in our editorial feature: Gregory M. Mathews and The Birds of Australia .
Roland Green’s distinctive strength lies in his ability to animate posture and action without sacrificing anatomical clarity. In behavioural plates such as this one, his control of colour layering and feather articulation creates a sense of immediacy that elevates the composition beyond mere taxonomic illustration.
Very good antique condition. Fresh original hand-coloring with strong lithographic impression. Printed on fine early twentieth-century wove paper. Minor age toning consistent with age.
For further insight into Roland Green’s contribution to ornithological illustration: Roland Green – Dynamic Vision and Field-Born Precision in Bird Art
Specific References
Blue-billed Duck (Oxyura australis) – Original antique bird print by H. Grønvold.
Western Black-eared Cuckoo (Owenavis rogersi) – Original lithograph by Henrik Grønvold.
Original lithograph of the Sacred Kingfisher (Sauropatis sancta) by Roland Green
Antique lithograph of the Cloncurry Parrot & South Australian Mallee Parrot by Roland Green.
Chestnut-breasted Cuckoo & Queensland Pigeon illustrated by Henrik Grønvold.
Antique lithograph of the Red-shouldered Grass Parrot by Roland Green.
Pied Cormorant from Mathews' Birds of Australia, drawn by Grönvold.
Teal (with Grey Teal) (Nettion castaneum & Nettion rogersi) – Original antique bird print by H. Grønvold.
Original lithograph of the Black Swan by J.G. Keulemans (Chenopis atrata).
Original lithograph of the Owlet Nightjar by Roland Green from Mathews' Birds of Australia.
Antique lithograph of the Northern Yellow-banded Parrot & Dundas Yellow-collared Parrot by Roland Green.
Western Pink-eared Duck (Malacorhynchus assimilis) – Original antique bird print by H. Grønvold.
Striking engraving of a columnar euphorbia, with architectural forms and vivid green tones.