Antique lithograph of the Red-sided Parrot by Roland Green.
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Original engravings from the 17th–19th century.
This original early twentieth-century hand-colored lithograph depicts Eclectus macgillivrayi (Eclectus Parrot), presented as a striking pair that showcases the species’ celebrated sexual dimorphism. The plate belongs to The Birds of Australia, Gregory M. Mathews’ monumental ornithological publication, illustrated here by Roland Green.
Two birds occupy the sheet in a deliberate chromatic dialogue: the male in deep emerald green with a warm coral bill, and the female in saturated crimson with violet-black wings. Their mirrored attitudes transform scientific illustration into a composition of near-modern graphic power.
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Roland Green constructs the scene around contrast and balance. The male’s plumage is built from layered greens, subtly shaded to suggest feather depth without breaking the clarity of the silhouette. The female, rendered in dense crimson, introduces a dramatic mass of colour that is elegantly controlled by the dark wing field and the fine modelling around the head and beak.
The composition is unusually architectural: two bodies angled in opposing directions, held together by the branching structure and softened foliage. The background remains restrained and atmospheric, allowing the birds’ colours to dominate while maintaining refinement. It is a plate designed to read instantly at a distance—highly decorative, yet never merely ornamental.
Eclectus parrots are native to the rainforests of northern Australia and nearby islands. Their extreme sexual dimorphism—green males and red females—confused early European naturalists, who initially classified them as separate species.
By the early twentieth century, the Eclectus had become emblematic of the region’s biological distinctiveness and of the evolving precision of ornithological taxonomy. A paired depiction such as this not only aids identification, but also communicates the astonishing visual logic of nature itself.
This lithograph originates from The Birds of Australia, Gregory M. Mathews’ ambitious early twentieth-century ornithological enterprise. Conceived as a definitive scientific record, the work united rigorous taxonomy with exceptional artistic collaboration, producing one of the most authoritative visual catalogues of Australian birdlife. Explore the broader historical scope in our editorial feature: Gregory M. Mathews and The Birds of Australia .
The plate was illustrated by Roland Green, whose field-driven precision and compositional discipline are especially evident in complex subjects where colour must remain both accurate and architecturally balanced.
Very good antique condition. Fresh original hand-coloring with strong lithographic impression. Printed on fine early twentieth-century wove paper. Minor age toning slightly more visible along the outer margins, consistent with age.
For further insight into Roland Green’s contribution to ornithological illustration: Roland Green – Dynamic Vision and Field-Born Precision in Bird Art
Specific References
Original lithograph of the Green Goose Teal by Henrik Grønvold (Nettapus pulchellus)
Antique lithograph of the Sulphur-crested Cockatoo by Roland Green, hand-colored.
Original lithograph of the Budgerigar (Melopsittacus undulatus) by Roland Green.
Original lithograph of the Plumed Podargus by H. Grönvold from Mathews' Birds of Australia.
Australian White-eyed Duck (Nyroca australis) – Original antique bird print by H. Grønvold.
Original lithograph of the Spotted Nightjar by Roland Green from Mathews' Birds of Australia.
Blue-billed Duck (Oxyura australis) – Original antique bird print by H. Grønvold.
Antique lithograph of the Red-mantled Parrot & Yellow-cheeked Parrot by Roland Green.
Original lithograph of the Forest Kingfisher (Cyanalcyon macleayii) by Roland Green
Original lithograph of the Sacred Kingfisher (Sauropatis sancta) by Roland Green
Original lithograph of the Lyrebird Tail Study (Tails of Menuridae) by Henrik Grønvold
Broad-billed Bronze Cuckoo (Lamprococcyx lucidus) – Original lithograph by Henrik Grønvold.