This original early twentieth-century hand-colored lithograph depicts Polytelis swainsonii, commonly known as the Green Parrot. The plate forms part of The Birds of Australia, Gregory M. Mathews’ landmark ornithological work, illustrated here by Roland Green.
Two individuals are arranged across intersecting branches, their elongated tails and streamlined bodies introducing refined linear movement within a carefully balanced botanical setting.
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Green constructs the composition around tonal harmony rather than chromatic contrast. The dominant greens are layered in subtle gradations, from soft leaf-green to deeper emerald along the wings and tail. A restrained flash of yellow and warm red around the crown and nape provides the principal accent, carefully controlled to avoid overwhelming the composition.
The surrounding foliage, rendered in cool blue-green tones, enhances spatial depth while echoing the birds’ plumage. The long, tapering tails create elegant diagonals that guide the eye across the sheet, lending the plate both decorative fluidity and structural discipline.
Native to southeastern Australia, Polytelis swainsonii inhabits open woodland and riverine forests. It is admired for its elongated silhouette and subtle yet refined coloration.
Within Mathews’ comprehensive ornithological survey, such species provided a study in elegance and proportion, contrasting with the more flamboyant parrots of northern regions while enriching the visual diversity of the series.
This lithograph originates from The Birds of Australia, Gregory M. Mathews’ ambitious early twentieth-century ornithological enterprise. Conceived as a definitive scientific record, the publication combined taxonomic rigor with the artistic excellence of leading wildlife illustrators. Explore the broader historical context in our editorial feature: Gregory M. Mathews and The Birds of Australia .
The plate was illustrated by Roland Green, whose compositional clarity and refined handling of avian structure are particularly evident in elongated parrot species such as this.
Very good antique condition. Fresh original hand-coloring with strong lithographic impression. Printed on fine early twentieth-century wove paper. Minor age toning slightly more visible along the outer margins, consistent with age.
For further insight into Roland Green’s contribution to ornithological illustration: Roland Green – Dynamic Vision and Field-Born Precision in Bird Art
Specific References
Australian Shoveler (Spatula rhynchotis) – Original antique bird print by H. Grønvold.
Original lithograph of the Black Duck by H. Goodchild (Anas superciliosa).
Original lithograph of the Large-tailed Nightjar by Roland Green from Mathews' Birds of Australia.
Original lithograph of the Whistling Duck by H. Goodchild (Dendrocygna gouldi).
Original lithograph of the Tawny Frogmouth by Roland Green from Mathews' Birds of Australia.
Antique lithograph of the Western Smutty Parrot & Smutty Parrot by Roland Green.
Eastern Frigate Bird from Mathews' Birds of Australia, drawn by Grönvold.
Original lithograph of the Green Goose Teal by Henrik Grønvold (Nettapus pulchellus)
Glossy Cockatoo print by H. Goodchild, dark tones and rare presence on the plate
Antique lithograph of the Scarlet-chested Grass Parrot by Roland Green.
Fine hand-colored engraving of the nutmeg fruit and seed, richly detailed and decorative.
Brilliantly colored honeycreeper and sunbird illustration with tropical vibrancy, captured by Prêtre.