Original lithograph of the Golden-shouldered Parrot (Psephotellus chrysopterygus) by Henrik Grønvold.
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Original engravings from the 17th–19th century.
This original early twentieth-century hand-colored lithograph depicts Psephotellus chrysopterygius, the Golden-shouldered Parrot. The plate forms part of Gregory M. Mathews’ monumental publication The Birds of Australia, illustrated by H. Grönvold and issued by Witherby & Co.
Presented as a vivid pair poised along a pale branch, the composition captures the species’ extraordinary chromatic intensity—turquoise, green, gold, and coral—balanced within a spacious, lightly atmospheric setting that enhances both scientific clarity and decorative presence.
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H. Grönvold constructs the composition around a subtle diagonal dialogue. The upper bird commands attention through its saturated turquoise breast and luminous golden shoulder patch—an accent that reads almost heraldic in its clarity. The darker crown and mantle provide tonal grounding, giving the figure sculptural definition.
Below, the second parrot leans forward in a searching posture, introducing dynamic asymmetry. Its greener dorsal tones temper the palette, while the elongated cobalt tail creates vertical extension and compositional grace. The branch serves as a stabilizing horizontal axis, allowing colour intensity to unfold without visual excess.
The plate achieves a rare equilibrium between brilliance and restraint. Turquoise and gold are vivid yet controlled, articulated through precise feather structure and crisp lithographic line. The result is a work of strong decorative authority while remaining scientifically disciplined.
Endemic to northern Queensland, the Golden-shouldered Parrot is today regarded as one of Australia’s most threatened parrots. It inhabits open woodland and grassland ecosystems, where its vivid coloration functions in courtship display and territorial signaling.
Mathews’ inclusion of this species reflects the ambitious scope of his ornithological enterprise. Beyond its visual splendour, the plate preserves an early twentieth-century scientific record of a bird whose rarity adds historical and ecological depth to its aesthetic power.
This lithograph originates from The Birds of Australia, Gregory M. Mathews’ ambitious early twentieth-century ornithological project. Conceived as a definitive taxonomic record, the work combined rigorous scientific classification with the refined artistry of leading wildlife illustrators, resulting in one of the most authoritative visual catalogues of Australian birdlife. Explore the broader historical context in our editorial feature: Gregory M. Mathews and The Birds of Australia .
H. Grönvold was renowned for his ability to render intense coloration with anatomical precision. His work in Mathews’ series demonstrates a disciplined balance between chromatic vibrancy and structural clarity—qualities that are especially evident in comparative parrot plates such as this one.
Very good antique condition. Fresh original hand-coloring with strong lithographic impression. Printed on fine early twentieth-century wove paper. Minor age toning consistent with age.
Specific References
Original lithograph of the Red-backed Kingfisher (Cyanalcyon pyrrhopygus) by Roland Green
White-Tailed Tropic Bird (Phaëthon dorothea), original Mathews lithograph.
Original lithograph of the Black Swan by J.G. Keulemans (Chenopis atrata).
Antique lithograph of the Western Smutty Parrot & Smutty Parrot by Roland Green.
Eastern Frigate Bird from Mathews' Birds of Australia, drawn by Grönvold.
Original lithograph of the Pied Goose by H. Goodchild (Anseranas semipalmata).
Original lithograph of the Plumed Podargus by H. Grönvold from Mathews' Birds of Australia.
Original lithograph of the Tawny Frogmouth by Roland Green from Mathews' Birds of Australia.
Western Pink-eared Duck (Malacorhynchus assimilis) – Original antique bird print by H. Grønvold.
Blue-billed Duck (Oxyura australis) – Original antique bird print by H. Grønvold.