Antique lithograph of the Western Smutty Parrot & Smutty Parrot by Roland Green.
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Original engravings from the 17th–19th century.
This original early twentieth-century hand-colored lithograph depicts Platycercus hilli (Western Smutty Parrot) and Platycercus venustus (Smutty Parrot), as titled on the plate. The sheet forms part of Gregory M. Mathews’ monumental publication The Birds of Australia, illustrated by Roland Green and issued by Witherby & Co.
Two birds are arranged diagonally upon branching foliage, their bodies slightly offset in posture, creating a measured rhythm across the composition. Unlike the brighter grass-parrots of the series, these species are rendered in a darker, more complex tonal register—black scalloped upperparts, olive-scaled breast, violet wing shading, and a decisive flash of red beneath the tail.
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Roland Green approaches this plate with structural precision. The upper bird, upright and alert, balances the lower bird’s slightly more horizontal stance. This mirrored opposition gives the sheet architectural coherence. The dark scalloped patterning across the back and wings is carefully layered, producing depth and tactile richness rarely found in more brightly colored plates.
The restrained background foliage prevents visual competition, allowing the birds’ complex feather articulation to dominate. The restrained palette—black, olive, muted purple, and red—creates a sophisticated decorative presence. This is a plate that rewards close study, revealing subtle tonal transitions within what at first appears a dark chromatic field.
The Smutty Parrots inhabit northern regions of Australia and are distinguished by their darker plumage and scaled feather structure. Unlike the flamboyant reds and yellows of other parrots, these birds embody a more subdued elegance—an evolutionary adaptation rendered here with scientific fidelity.
In Mathews’ survey, such species broaden the visual narrative of Australian avifauna, demonstrating that ornithological beauty extends beyond brilliance into complexity and tonal sophistication.
This lithograph originates from The Birds of Australia, Gregory M. Mathews’ ambitious early twentieth-century ornithological enterprise. Conceived as a definitive scientific record, the work united rigorous taxonomy with the refined artistry of leading wildlife illustrators, producing one of the most authoritative visual catalogues of Australian birdlife. Explore the broader historical scope in our editorial feature: Gregory M. Mathews and The Birds of Australia .
Plates featuring paired subjects such as this one reflect Green’s ability to balance naturalistic accuracy with compositional symmetry—an equilibrium central to the enduring appeal of the Mathews series.
Very good antique condition. Fresh original hand-coloring with strong lithographic impression. Printed on fine early twentieth-century wove paper. Minor age toning slightly more visible along the outer margins, consistent with age.
For further insight into Roland Green’s contribution to ornithological illustration: Roland Green – Dynamic Vision and Field-Born Precision in Bird Art
Specific References
White-breasted Cormorant from Mathews' Birds of Australia, drawn by Grönvold.
Antique lithograph of the Northern Yellow-banded Parrot & Dundas Yellow-collared Parrot by Roland Green.
Original lithograph of the Mountain Duck by Henrik Grønvold (Casarca tadornoides).
Original lithograph of the Marbled Frogmouth by Roland Green from Mathews' Birds of Australia.
Original lithograph of the Sacred Kingfisher (Sauropatis sancta) by Roland Green
Original lithograph of the White-throated Nightjar by Roland Green from Mathews' Birds of Australia.
Australian Red-Tailed Tropic Bird (Phaëthon westralis), original Mathews lithograph.
Broad-billed Bronze Cuckoo (Lamprococcyx lucidus) – Original lithograph by Henrik Grønvold.
Original lithograph of the Lyrebird Tail Study (Tails of Menuridae) by Henrik Grønvold
Spine-tailed Swift (Chaetura caudacuta) – Original lithograph by Roland Green
Narrow-billed Bronze Cuckoo (Neochalcites basalis) – Original lithograph by Henrik Grønvold.
Original lithograph of the Wood Duck by H. Goodchild (Chenonetta jubata).