Antique lithograph of the Red-cheeked Parrot by Roland Green.
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Original engravings from the 17th–19th century.
This original early twentieth-century hand-colored lithograph depicts Geoffroyus geoffroyi, commonly known as the Blue-cheeked Parrot. The plate belongs to The Birds of Australia, Gregory M. Mathews’ landmark ornithological publication, illustrated here by Roland Green.
Two parrots are presented in balanced opposition across a branching eucalyptus structure. Their mirrored placement creates compositional rhythm, while subtle chromatic differences between the individuals animate the scene.
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Green employs a restrained but luminous palette. The dominant emerald body tones are enriched by delicate modelling along the wing feathers, preserving structure without visual heaviness. The male’s coral-red facial patch and bluish cheek wash provide the key chromatic accents, drawing attention toward the head and eye.
The foliage remains softly atmospheric, rendered in cool grey-greens that enhance depth while keeping the birds visually forward. The diagonally intersecting branches lend architectural coherence, transforming a naturalistic study into a decorative composition suited to both classical and contemporary interiors.
The Blue-cheeked Parrot inhabits northern Australia and surrounding regions. Its subtle facial colouring distinguishes it within the broader parrot family, offering a refined alternative to more flamboyant species.
Early twentieth-century ornithologists valued such species for the taxonomic nuances they revealed. Their comparatively understated coloration provided a counterpoint to the dramatic lorikeets and cockatoos documented within Mathews’ comprehensive survey.
This lithograph originates from The Birds of Australia, Gregory M. Mathews’ ambitious early twentieth-century ornithological enterprise. Conceived as a definitive scientific record, the work brought together taxonomic precision and the refined artistry of leading wildlife illustrators. Discover the broader historical scope in our editorial feature: Gregory M. Mathews and The Birds of Australia .
The plate was illustrated by Roland Green, whose disciplined compositional structure and tonal control are especially evident in balanced multi-figure studies such as this.
Very good antique condition. Fresh original hand-coloring with strong lithographic impression. Printed on fine early twentieth-century wove paper. Minor age toning slightly more visible along the outer margins, consistent with age.
For further insight into Roland Green’s contribution to ornithological illustration: Roland Green – Dynamic Vision and Field-Born Precision in Bird Art
Specific References
Broad-billed Bronze Cuckoo (Lamprococcyx lucidus) – Original lithograph by Henrik Grønvold.
Spine-tailed Swift (Chaetura caudacuta) – Original lithograph by Roland Green
Teal (with Grey Teal) (Nettion castaneum & Nettion rogersi) – Original antique bird print by H. Grønvold.
Australian White-eyed Duck (Nyroca australis) – Original antique bird print by H. Grønvold.
Eastern Frigate Bird from Mathews' Birds of Australia, drawn by Grönvold.
Original lithograph of the Red-backed Kingfisher (Cyanalcyon pyrrhopygus) by Roland Green
Original lithograph of the Cape Barren Goose by Henrik Grønvold (Cereopsis novæ hollandiae).
Original lithograph of the Plumed Whistling Duck by H. Goodchild (Dendrocygna eytoni).
Original lithograph of the Tawny Frogmouth by H. Grönvold from Mathews' Birds of Australia.