Original lithograph of the Budgerigar (Melopsittacus undulatus) by Roland Green.
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Original engravings from the 17th–19th century.
This original early twentieth-century hand-colored lithograph depicts Melopsittacus undulatus, commonly known as the Budgerigar. The plate forms part of Gregory M. Mathews’ monumental publication The Birds of Australia, illustrated by Roland Green and issued by Witherby & Co.
Presented as a poised pair perched among slender grasses, the composition highlights the species’ refined proportions and unmistakable chromatic brilliance. The clean spatial arrangement allows the birds’ luminous plumage to emerge with remarkable clarity.
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Roland Green arranges the two figures in a gentle diagonal rhythm, creating a quiet yet elegant visual dialogue. The upper bird stands alert, its emerald-green breast transitioning seamlessly into a vivid yellow face, while the intricate black scalloping across the back and wings introduces fine graphic structure.
The elongated cobalt tails add vertical extension and compositional balance, countered by the soft, almost atmospheric rendering of the grasses. The restrained botanical background enhances rather than competes, framing the birds in a light, airy environment that reinforces their delicate scale.
The success of this plate lies in chromatic harmony: fresh greens, lemon yellows, and cool blue accents coexist without excess, producing a sheet of remarkable decorative versatility—equally compelling in modern interiors and classic collections.
Native to the arid and semi-arid regions of Australia, the Budgerigar is one of the most recognizable parrots in the world. In the wild, its plumage displays vibrant green and yellow tones, designed for camouflage within grasslands and scrub habitats.
Mathews’ inclusion of a paired representation emphasizes subtle variations in posture and expression rather than dramatic dimorphism. Beyond its popularity as a domestic species, Melopsittacus undulatus remains a quintessential symbol of Australia’s avian diversity and adaptability.
This lithograph originates from The Birds of Australia, Gregory M. Mathews’ ambitious early twentieth-century ornithological enterprise. Conceived as a definitive scientific record, the work united rigorous taxonomy with the refined artistry of leading wildlife illustrators, producing one of the most authoritative visual catalogues of Australian birdlife. Explore the broader historical scope in our editorial feature: Gregory M. Mathews and The Birds of Australia .
Roland Green’s mastery is particularly evident in species such as the Budgerigar, where feather patterning demands both precision and restraint. His ability to articulate the fine barring and subtle tonal gradations elevates what might otherwise be a familiar subject into a work of refined natural artistry.
Very good antique condition. Fresh original hand-coloring with strong lithographic impression. Printed on fine early twentieth-century wove paper. Minor age toning consistent with age.
For further insight into Roland Green’s contribution to ornithological illustration: Roland Green – Dynamic Vision and Field-Born Precision in Bird Art
Specific References
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Original lithograph of the Black Swan by J.G. Keulemans (Chenopis atrata).
Antique lithograph of the Sulphur-crested Cockatoo by Roland Green, hand-colored.
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Original lithograph of the Cape Barren Goose by Henrik Grønvold (Cereopsis novæ hollandiae).
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