Colorful print of the Red-collared Lorikeet by Roland Green, original hand-color.
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Original engravings from the 17th–19th century.
This original early twentieth-century hand-colored lithograph depicts Trichoglossus rubritorquis, the Red-collared Lorikeet. The plate forms part of The Birds of Australia, the monumental ornithological publication authored by Gregory M. Mathews and illustrated here by Roland Green.
Perched along a eucalyptus branch, the lorikeet reveals a vivid orchestration of colour: deep emerald wings, luminous lime underparts, a sapphire-blue head and the unmistakable band of scarlet across the nape from which its name derives.
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Green approaches the subject with controlled intensity. The saturated green of the mantle is layered with subtle tonal transitions, preserving feather structure without flattening the chromatic impact. The blue head is rendered with fine stippled modelling, while the red collar acts as a compositional fulcrum, drawing the eye toward the bird’s expressive gaze.
The muted eucalyptus foliage behind — executed in restrained grey-greens — creates atmospheric depth and prevents chromatic overload. The diagonal branch introduces dynamic tension, contrasting with the bird’s compact, poised posture. The result is a plate that balances ornamental brilliance with scientific precision.
Native to northern Australia, the Red-collared Lorikeet inhabits woodland and savannah regions rich in flowering trees. Like other lorikeets, it feeds primarily on nectar and pollen, its specialised brush-tipped tongue adapted to extract sustenance from blossoms.
During the early twentieth century, such vibrantly coloured parrots became emblematic of Australia’s avian diversity. Their striking plumage offered both scientific interest and aesthetic fascination, perfectly suited to Mathews’ ambition of producing a definitive visual record of the continent’s birdlife.
This lithograph originates from The Birds of Australia, Gregory M. Mathews’ ambitious ornithological project of the early twentieth century. Conceived as a rigorous scientific catalogue, the work combined detailed taxonomy with collaboration among leading wildlife artists of the period. Explore the historical scope of this enterprise in our editorial feature: Gregory M. Mathews and The Birds of Australia .
The plate was illustrated by Roland Green, renowned for translating field observation into finely balanced lithographic compositions that unite movement, structure and chromatic depth.
Very good antique condition. Fresh and vibrant original hand-coloring with strong lithographic impression. Printed on fine early twentieth-century wove paper. Minor age toning consistent with age.
For further insight into Roland Green’s contribution to ornithological illustration: Roland Green – Dynamic Vision and Field-Born Precision in Bird Art
Specific References
Western Black-eared Cuckoo (Owenavis rogersi) – Original lithograph by Henrik Grønvold.
Original lithograph of the Sacred Kingfisher (Sauropatis sancta) by Roland Green
Original lithograph of the Victorian Lyre-bird (Menura victoriae) by Henrik Grønvold
Original lithograph of the Forest Kingfisher (Cyanalcyon macleayii) by Roland Green
Antique lithograph of the Sulphur-crested Cockatoo by Roland Green, hand-colored.
Eastern Freckled Duck (Stictonetta naevosa) – Original antique bird print by H. Grønvold.
Narrow-billed Bronze Cuckoo (Neochalcites basalis) – Original lithograph by Henrik Grønvold.
Antique lithograph of the Northern Yellow-banded Parrot & Dundas Yellow-collared Parrot by Roland Green.
Chestnut-breasted Cuckoo & Queensland Pigeon illustrated by Henrik Grønvold.
Original lithograph of the Lyrebird Tail Study (Tails of Menuridae) by Henrik Grønvold
Original lithograph of the Golden-shouldered Parrot (Psephotellus chrysopterygus) by Henrik Grønvold.
Original lithograph of the White-headed Sheldrake by Henrik Grønvold (Tadorna rufitergum).