Antique lithograph of the Black-tailed Parrot by Roland Green.
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Original engravings from the 17th–19th century.
This original early twentieth-century hand-colored lithograph depicts Polytelis anthopeplus, the Regent Parrot. The plate belongs to The Birds of Australia, Gregory M. Mathews’ authoritative ornithological publication, illustrated here by Roland Green.
Two individuals are presented in deliberate chromatic opposition: one luminous yellow-green with crimson wing accents, the other deeper olive with subtle red markings. Their pairing transforms scientific observation into a composition of vivid contrast and elegant symmetry.
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Green builds the composition around dynamic colour interplay. The bright yellow of the forward bird radiates warmth, balanced by the darker, cooler tones of its companion. Crimson flashes along the wing coverts introduce depth and visual punctuation, while the elongated tails create sweeping diagonals that animate the sheet.
The surrounding foliage remains intentionally understated, rendered in pale tonal washes that enhance depth without competing with the birds’ chromatic presence. The result is a plate that reads immediately as decorative, yet retains scientific precision in feather articulation and anatomical structure.
The Regent Parrot inhabits southeastern Australia, favouring riverine forests and woodland environments. Its elongated form and distinctive coloration distinguish it within the parrot family.
For early twentieth-century ornithologists, such species offered an opportunity to document subtle sexual variation and regional diversity within Australia’s expanding avian taxonomy.
This lithograph originates from The Birds of Australia, Gregory M. Mathews’ ambitious early twentieth-century ornithological enterprise. Designed as a definitive scientific record, the work united rigorous taxonomy with the refined artistry of leading wildlife illustrators. Explore the broader historical vision in our editorial feature: Gregory M. Mathews and The Birds of Australia .
The plate was illustrated by Roland Green, whose disciplined compositional balance and refined tonal modelling are particularly evident in paired parrot studies such as this.
Very good antique condition. Fresh original hand-coloring with strong lithographic impression. Printed on fine early twentieth-century wove paper. Minor age toning slightly more visible along the outer margins, consistent with age.
For further insight into Roland Green’s contribution to ornithological illustration: Roland Green – Dynamic Vision and Field-Born Precision in Bird Art
Specific References
Antique lithograph of the Red-mantled Parrot & Yellow-cheeked Parrot by Roland Green.
Original lithograph of the Green Goose Teal by Henrik Grønvold (Nettapus pulchellus)
Antique lithograph of the Cloncurry Parrot & South Australian Mallee Parrot by Roland Green.
Original lithograph of the Wood Duck by H. Goodchild (Chenonetta jubata).
Original lithograph of the Forest Kingfisher (Cyanalcyon macleayii) by Roland Green
Original lithograph of the Tawny Frogmouth by H. Grönvold from Mathews' Birds of Australia.
Pied Cormorant from Mathews' Birds of Australia, drawn by Grönvold.
Glossy Cockatoo print by H. Goodchild, dark tones and rare presence on the plate
Original lithograph of the Budgerigar (Melopsittacus undulatus) by Roland Green.
Chestnut-breasted Cuckoo & Queensland Pigeon illustrated by Henrik Grønvold.
Gold-breasted Lorikeet lithograph by Henrik Grønvold, dynamic dual composition.