Antique lithograph of the Swift Parrot by Roland Green.
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Original engravings from the 17th–19th century.
This original early twentieth-century hand-colored lithograph depicts Lathamus discolor, known as the Swift Parrot. The plate belongs to Gregory M. Mathews’ monumental publication The Birds of Australia, illustrated by Roland Green and issued by Witherby & Co.
Perched lightly upon a slender eucalyptus branch, the bird is rendered with refined clarity: deep emerald plumage, a vivid scarlet throat patch, and cool blue accents along the wing coverts and tail. The composition is open and balanced, allowing the figure to command attention through tonal harmony rather than theatrical contrast.
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Roland Green constructs the image with characteristic restraint. The parrot’s elongated silhouette, tapering tail, and poised stance suggest alertness and speed—qualities embedded in both the species name and the visual design. The green body is subtly modelled through layered feather texture, while the scarlet throat introduces a controlled yet striking chromatic accent.
The surrounding eucalyptus leaves are delicately suggested rather than fully developed, reinforcing a sense of lightness. This sparseness of setting enhances the decorative clarity of the bird, giving the print a refined and contemporary wall presence despite its early twentieth-century origin.
The Swift Parrot is native to southeastern Australia and Tasmania, historically known for its rapid flight and migratory behaviour. Unlike many larger parrots, it combines slender proportions with vivid colour contrast, making it both ecologically distinctive and visually compelling.
Today the species is regarded as critically endangered, adding a modern layer of significance to early ornithological depictions such as this. Mathews’ documentation preserves not only taxonomy, but a visual record of Australia’s fragile avian heritage.
This lithograph originates from The Birds of Australia, Gregory M. Mathews’ ambitious early twentieth-century ornithological enterprise. Conceived as a definitive scientific record, the work united rigorous taxonomy with the refined artistry of leading wildlife illustrators, producing one of the most authoritative visual catalogues of Australian birdlife. Explore the broader historical scope in our editorial feature: Gregory M. Mathews and The Birds of Australia .
Roland Green’s disciplined draughtsmanship is especially evident in species of slender build such as Lathamus discolor, where proportion, posture, and feather articulation must convey vitality without visual excess.
Very good antique condition. Fresh original hand-coloring with strong lithographic impression. Printed on fine early twentieth-century wove paper. Minor age toning slightly more visible along the outer margins, consistent with age.
For further insight into Roland Green’s contribution to ornithological illustration: Roland Green – Dynamic Vision and Field-Born Precision in Bird Art
Specific References
Gold-breasted Lorikeet lithograph by Henrik Grønvold, dynamic dual composition.
Original lithograph of the Grey-rumped Swiftlet by Roland Green from Mathews' Birds of Australia.
Original lithograph of the Mountain Duck by Henrik Grønvold (Casarca tadornoides).
Original lithograph of the Wood Duck by H. Goodchild (Chenonetta jubata).
Original lithograph of the Victorian Lyre-bird (Menura victoriae) by Henrik Grønvold
Original lithograph of the Western Purple Kingfisher (Alcyone alisteri) by Roland Green
Antique lithograph of the Western Smutty Parrot & Smutty Parrot by Roland Green.
Original lithograph of the Marbled Frogmouth by Roland Green from Mathews' Birds of Australia.
Original lithograph of the Plumed Podargus by H. Grönvold from Mathews' Birds of Australia.
Original lithograph of the Tawny Frogmouth by H. Grönvold from Mathews' Birds of Australia.
Glossy Cockatoo print by H. Goodchild, dark tones and rare presence on the plate
Vivid dual composition featuring the Flying Gurnard and Striped Wrasse, blending blue and golden hues.