18th-Century Botanical Watercolors – Set of 4 Antique Masterpieces
  • 18th-Century Botanical Watercolors – Set of 4 Antique Masterpieces
  • 18th-Century Botanical Watercolors – Set of 4 Antique Masterpieces
  • 18th-Century Botanical Watercolors – Set of 4 Antique Masterpieces
  • 18th-Century Botanical Watercolors – Set of 4 Antique Masterpieces
  • 18th-Century Botanical Watercolors – Set of 4 Antique Masterpieces
18th-Century Botanical Watercolors – Set of 4 Antique Masterpieces
Exotic Botanical Masterpieces – 18th-Century Hand-Colored Watercolors (Set of 4) Exotic Botanical Masterpieces – 18th-Century Hand-Colored Watercolors (Set of 4) Exotic Botanical Masterpieces – 18th-Century Hand-Colored Watercolors (Set of 4) Exotic Botanical Masterpieces – 18th-Century Hand-Colored Watercolors (Set of 4) Exotic Botanical Masterpieces – 18th-Century Hand-Colored Watercolors (Set of 4)

Exotic Botanical Masterpieces – 18th-Century Hand-Colored Watercolors (Set of 4)

€2,400.00
Tax included

A rare set of four original 18th-century botanical watercolors, entirely hand-painted and rich in color and detail. A curated ensemble combining scientific observation with decorative elegance — perfect for refined interiors and collectors.

Quantity

  Delivery policy

Your print will be carefully prepared and shipped worldwide via trusted couriers (UPS or similar).

  Authentic antique prints

Original engravings from the 17th–19th century.

Exotic Botanical Masterpieces: A Rare Set of 18th-Century Hand-Colored Watercolors

This exceptional set of four original 18th-century botanical watercolors represents a rare and highly decorative ensemble, distinguished by its expressive color, refined execution, and strong visual presence.

Unlike engraved plates, these works are entirely hand-painted, revealing the immediacy and subtle variation of watercolor applied directly by the artist. Each sheet stands as a unique interpretation of botanical form, combining observation with artistic freedom.

— • —

Visual and Decorative Impact

The group presents a striking interplay of forms and colors, from the delicate ornamental structure of the title page to the bold and sculptural presence of exotic species such as the cactus and tropical flowering stems.

The palette is particularly vivid, with rich reds, greens, and warm tones applied in layered washes that give depth and luminosity to each composition. The absence of engraved outlines enhances the painterly quality, placing these works closer to original artworks than to printed plates.

Together, the four pieces create a visually cohesive yet varied ensemble, ideal for a refined and highly distinctive wall arrangement.

A Curated Ensemble

This set has been intentionally grouped to offer both visual harmony and contrast: ornamental framing, botanical structure, and exotic expression coexist within a unified 18th-century aesthetic language.

Such ensembles were historically appreciated not only for their scientific interest, but for their decorative value within cultivated interiors — a function these works still fulfill exceptionally well today.

From the Original Title Page

The accompanying title page describes this collection as a supplement to Miller’s illustrations of beautiful and rare plants, bringing together flowers and botanical subjects admired for their rarity, variation, and beauty.

It further emphasizes that these works were faithfully drawn from nature, after plants that had been successfully cultivated and brought into bloom — a detail that perfectly reflects the union of botanical observation and decorative refinement found throughout this set.

Heritage Stories

These watercolors belong to the visual culture surrounding 18th-century botanical publishing, where engraved works were sometimes complemented by hand-painted interpretations of exceptional decorative quality.

Executed on fine laid paper — in several cases bearing Dutch watermarks — these sheets reflect the circulation of high-quality materials across European artistic and scientific production.

Their painterly character and compositional freedom distinguish them from more formal engravings, placing them closer to cabinet artworks intended for display and aesthetic appreciation.

Explore the broader context in our editorial feature: Philip Miller — Botanical Science and the Art of Cultivation .

Condition Report

Overall in excellent antique condition. The sheets retain strong, fresh hand-coloring with only minor signs of age at the margins, as expected. Three of the four works show visible watermarks (either pictorial or with paper mill names), confirming the use of high-quality laid paper. One sheet presents no visible watermark. The ensemble is remarkably well preserved and visually consistent.

Details

  • Set: 4 original botanical watercolors
  • Date: 18th century
  • Technique: Hand-painted watercolor on laid paper
  • Paper: 18th-century laid paper (Dutch origin in most sheets)
  • Watermark: Visible in 3 sheets (pictorial or paper mill name); one without visible watermark
  • Dimensions: approx. 25 × 38 cm each
  • Condition: Excellent antique condition

Perfect for framing as a coordinated gallery wall or as individual focal points in refined interior spaces.

UG6-UGB-UG9-UG8
1 Item

Specific References

Reviews (0)
No customer reviews for the moment.