In the world of antique print collecting, the difference between pochoir and color lithography is more than a technicality — it defines how we interpret, date, and value a work. For Eugène Grasset’s La Plante et ses Applications Ornementales (1896), this distinction is especially critical. Many sellers and even some collectors describe the prints from La Plante as pochoir — a term that conjures up vivid, hand-applied color and Art Deco elegance. But this is incorrect.
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Art Print Lover’s Guide
A curated collection of articles dedicated to the art of collecting, evaluating, preserving, and understanding antique prints.
Whether you're a passionate collector or a curious admirer, this guide will help you navigate the timeless world of fine art on paper.
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Pochoir or Lithograph? Understanding the True Technique Behind Grasset’s La PlanteRead more