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Ourissia Hummingbird | Original Reichenbach Antique Engraving
  • Ourissia Hummingbird | Original Reichenbach Antique Engraving
  • Ourissia Hummingbird | Original Reichenbach Antique Engraving
  • Ourissia Hummingbird | Original Reichenbach Antique Engraving
  • Ourissia Hummingbird | Original Reichenbach Antique Engraving
Ourissia Hummingbird | Original Reichenbach Antique Engraving
Ourissia Hummingbird (Coeligena ourissia) – Original Hand-Colored Engraving by Ludwig Reichenbach, Antique Print Ourissia Hummingbird (Coeligena ourissia) – Original Hand-Colored Engraving by Ludwig Reichenbach, Antique Print Ourissia Hummingbird (Coeligena ourissia) – Original Hand-Colored Engraving by Ludwig Reichenbach, Antique Print Ourissia Hummingbird (Coeligena ourissia) – Original Hand-Colored Engraving by Ludwig Reichenbach, Antique Print

Ourissia Hummingbird (Coeligena ourissia) – Original Hand-Colored Engraving by Ludwig Reichenbach, Antique Print

€445.00
Tax included

An original nineteenth-century hand-colored engraving from Ludwig Reichenbach's Trochilinarum Enumeratio, depicting Coeligena ourissia among the elegant blossoms of Bignonia picta. Four hummingbirds create one of the most harmonious and visually refined compositions in the celebrated Victorian series.

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  Authentic antique prints

Original engravings from the 17th–19th century.

A Symphony in Flight: Four Hummingbirds, One Living Composition

This exceptional original nineteenth-century hand-colored engraving from Ludwig Reichenbach's Trochilinarum Enumeratio depicts Coeligena ourissia, a refined hummingbird associated by Reichenbach with Puerto Rico. Four birds are arranged across the plate in a composition of unusual balance, moving between the elegant blossoms of Bignonia picta and a second flowering stem below.

Rather than presenting a single static specimen, Reichenbach creates a complete visual rhythm. Each hummingbird occupies a different position, transforming the engraving into a graceful study of movement, colour and botanical harmony.

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Visual Analysis

The strength of this plate lies in its orchestration of space. The two upper birds introduce a calm horizontal balance, while the central and lower figures create a descending movement that leads the eye through the composition. The result feels almost musical, as if each bird formed part of a carefully arranged natural harmony.

The soft pink blossoms of Bignonia picta, the yellow lower flowers and the deep emerald and sapphire tones of the hummingbirds create a sophisticated palette of exceptional decorative appeal. The generous white background enhances the elegance of the arrangement, allowing every bird and botanical element to stand clearly within the plate.

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About the Species

This engraving depicts Coeligena ourissia, recorded by Reichenbach in association with the island of Puerto Rico. The plate reflects the nineteenth-century fascination with hummingbirds as both scientific subjects and living ornaments of the tropical world.

Reichenbach associated the species with Bignonia picta, a tropical flowering plant whose elegant blossoms provide a rich botanical setting for the birds. The composition beautifully expresses the ecological relationship between nectar-feeding hummingbirds and the flowering plants they visit, while preserving the visual refinement that makes Trochilinarum Enumeratio so distinctive.

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Heritage Stories

This engraving belongs to Ludwig Reichenbach's remarkable world of hummingbirds, where Victorian scientific curiosity meets extraordinary visual elegance. Explore the story behind Trochilinarum Enumeratio and discover why these original hummingbird engravings remain so compelling today.

Ludwig Reichenbach and the Art of Hummingbirds →

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Condition Report

Very Good condition. Original nineteenth-century paper with strong hand colouring and a clear plate mark. Minor age-related signs may be present, entirely consistent with authenticity and the historical character of the work.

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Details

Species: Coeligena ourissia (Gmelin, 1788)
Common name: Ourissia Hummingbird
Work: Trochilinarum Enumeratio
Author: Ludwig Reichenbach
Date: c. 1855–1860
Technique: Original hand-colored engraving
Plate: DCLXXXVIII (688)
Reference numbers: 4519–21
Inscription: ad naturam (“drawn from life”)
Associated plant: Bignonia picta H.B.
Origin noted by Reichenbach: Puerto Rico
Sheet size: approx. 28.5 × 22.5 cm

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