A striking 18th-century botanical engraving depicting Glaucium, featuring bold red blossoms and intricately shaped foliage. The expressive composition and original hand-coloring create a vivid and decorative botanical image.
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Original engravings from the 17th–19th century.
This original 18th-century hand-colored botanical engraving depicts Glaucium (Glaucium sp.), rendered with bold character in a style characteristic of German botanical illustration.
The composition combines fluid vegetal forms with strong chromatic accents, resulting in a plate that balances botanical detail with decorative intensity.
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The engraving is defined by its dynamic and slightly asymmetrical composition. The curved stems and deeply cut leaves create a sense of movement that distinguishes it from more rigid botanical plates.
The flower, rendered in rich red tones with subtle internal shading, acts as a strong focal point. Its saturated color contrasts beautifully with the cooler greens of the foliage.
The leaves, with their highly articulated and sculptural forms, introduce texture and visual complexity. Their movement across the sheet enhances the decorative character of the engraving.
Additional botanical details, including buds and structural elements, enrich the composition while preserving its overall balance and clarity.
The result is a plate of strong visual personality, where expressive line and bold hand-coloring create a highly engaging botanical image.
Perfect for framing, this print works beautifully as a statement botanical piece or within a curated composition, bringing energy and natural movement into interior spaces.
Glaucium, commonly known as horned poppy, is appreciated for its vibrant flowers and distinctive seed pods.
Its expressive form and strong color made it a compelling subject for botanical artists, particularly in traditions that embraced a more decorative and dynamic visual language.
This engraving belongs to a group of 18th-century botanical plates distinguished by their bold hand-coloring and expressive character, often associated with German botanical production.
The sheet is printed on fine laid paper bearing a clearly legible watermark with the name of the paper mill, confirming both the quality of the material and its historical authenticity.
While stylistically distinct, this engraving can be understood within the broader context of 18th-century botanical publishing explored in the work of Philip Miller.
Explore the broader botanical context in our editorial feature: Philip Miller — Botanical Science and the Art of Cultivation .
Browse the complete collection: Miller – Uncommon Plants Collection .
Excellent antique condition. A crisp and fresh impression with well-preserved original hand-coloring. Printed on 18th-century laid paper, retaining generous margins and a clean appearance. The sheet bears a clearly legible watermark with the name of the paper mill. Minor signs of age may be present at the edges, as expected, but the print remains in very attractive overall condition.
Specific References
A refined 18th-century botanical engraving depicting the chestnut tree, featuring detailed foliage and characteristic fruit. The balanced composition and original hand-coloring create a visually rich and highly decorative natural history print.
A dramatic Cereus engraving by Richard Lancake, featuring a luminous night-blooming flower from Miller’s celebrated 18th-century botanical work.
A curated group of three Acacia engravings by Georg Dionysius Ehret, offering a coherent botanical study of form and variation within the genus.
An original 18th-century hand-colored engraving depicting a Custard Apple (Annona sp.), from Philip Miller’s Figures of the Most Beautiful, Useful, and Uncommon Plants. Combining botanical precision with decorative clarity, the composition features both the plant and its distinctive fruit in sectional detail.
A refined engraving of Mesembryanthemum species by Ehret, combining sculptural succulent forms with delicate floral studies from Miller’s 18th-century work.
An elegant 18th-century botanical engraving depicting Helleborine, characterized by slender foliage and delicate pink blossoms. The refined vertical composition and original hand-coloring create a balanced and decorative botanical image.
A striking 18th-century botanical engraving depicting a Blue Crinum Lily (Crinum sp.), distinguished by bold hand-coloring and an elegant vertical composition. The vivid blue blossoms and sculptural foliage exemplify the expressive character of German botanical illustration.
A refined 18th-century botanical engraving depicting Geranium, featuring distinctive rounded foliage and delicate pink blossoms. The balanced composition and original hand-coloring create a harmonious and decorative botanical print.
A refined Magnolia engraving by Johann Sebastian Mueller, combining botanical precision with elegant 18th-century composition.
Borage Plant (Borrago sp.) – Antique Hand-Colored Engraving by Ehret (1756)
A vibrant Arbutus engraving by Georg Dionysius Ehret from Miller’s 1755 botanical work, combining botanical precision with striking decorative appeal.
A striking 18th-century botanical engraving of Crown Imperial (Fritillaria imperialis), distinguished by unusually bold hand-coloring and a dynamic, flowing composition. This plate exemplifies the expressive character of German botanical illustration, combining strong visual presence with refined natural observation.
An original 18th-century hand-colored engraving depicting Apocynum scandens, published in Philip Miller’s Figures of the Most Beautiful, Useful, and Uncommon Plants. The composition combines delicate star-shaped flowers, elegant climbing stems, and striking striped seed pods, uniting botanical precision with refined decorative presence.
A rare set of four original 18th-century botanical watercolors, entirely hand-painted and rich in color and detail. A curated ensemble combining scientific observation with decorative elegance — perfect for refined interiors and collectors.
A refined 18th-century botanical engraving depicting an Anemone (Anemone tenuifolia), distinguished by bold hand-coloring and a delicate, minimal composition. The vivid flower contrasts elegantly against the open background, creating a refined decorative presence.