Antique lithograph of the Red-mantled Parrot & Yellow-cheeked Parrot by Roland Green.
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Original engravings from the 17th–19th century.
This original early twentieth-century hand-colored lithograph depicts two brilliantly colored parrots identified on the plate as Platycercus icterotis (Red-mantled Parrot) and Platycercus salvadori (Yellow-cheeked Parrot). The sheet belongs to Gregory M. Mathews’ landmark publication The Birds of Australia, illustrated by Roland Green and issued by Witherby & Co.
Presented in a tall, elegant pairing against a minimal background, the two birds form a vivid chromatic dialogue: saturated scarlet bodies balanced by emerald greens and deep blues, punctuated by a single warm accent of yellow at the cheek.
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Roland Green designs this plate around powerful colour architecture. The dominant reds are applied with confident saturation, creating immediate visual presence, while the wing plumage is built from layered greens, teal, and ultramarine—each feather articulated with disciplined line and tonal modelling.
The composition is strikingly vertical: one bird forward, one set slightly behind, producing depth and balance without additional scenery. The understated branchwork and pale atmosphere keep the focus entirely on plumage, allowing the scarlet-and-emerald contrast to function almost like a decorative emblem.
Parrots of the Platycercus group are celebrated for their vivid coloration and regional diversity across Australia. The presence of distinct facial markings—such as the warm yellow cheek—served as key identifiers for early ornithologists as taxonomy evolved during the late nineteenth and early twentieth centuries.
In Mathews’ comprehensive survey, such paired plates offered both scientific comparison and visual impact, demonstrating how natural history illustration could unite taxonomy with unmistakable decorative power.
This lithograph originates from The Birds of Australia, Gregory M. Mathews’ ambitious early twentieth-century ornithological enterprise. Conceived as a definitive scientific record, the work united rigorous taxonomy with the refined artistry of leading wildlife illustrators, producing one of the most authoritative visual catalogues of Australian birdlife. Explore the broader historical scope in our editorial feature: Gregory M. Mathews and The Birds of Australia .
Plates such as this exemplify the series at its most decorative: scientific comparison presented with the colour authority and compositional clarity of fine art.
Very good antique condition. Fresh original hand-coloring with strong lithographic impression. Printed on fine early twentieth-century wove paper. Minor age toning slightly more visible along the outer margins, consistent with age.
For further insight into Roland Green’s contribution to ornithological illustration: Roland Green – Dynamic Vision and Field-Born Precision in Bird Art
Specific References
Gold-breasted Lorikeet lithograph by Henrik Grønvold, dynamic dual composition.
Antique lithograph of the Cloncurry Parrot & South Australian Mallee Parrot by Roland Green.
Square-tailed Cuckoo (Cacomantis pyrrophanus) – Original lithograph by Henrik Grønvold.
Original lithograph of the Victorian Lyre-bird (Menura victoriae) by Henrik Grønvold
Original lithograph of the Marbled Frogmouth by Roland Green from Mathews' Birds of Australia.
Original lithograph of the Spotted Nightjar by Roland Green from Mathews' Birds of Australia.
Australian White-eyed Duck (Nyroca australis) – Original antique bird print by H. Grønvold.
White-breasted Cormorant from Mathews' Birds of Australia, drawn by Grönvold.
Original lithograph of the Owlet Nightjar by Roland Green from Mathews' Birds of Australia.
Original lithograph of the Pied Goose by H. Goodchild (Anseranas semipalmata).
Original lithograph of the Golden-shouldered Parrot (Psephotellus chrysopterygus) by Henrik Grønvold.
Antique lithograph of the Western Smutty Parrot & Smutty Parrot by Roland Green.
Original lithograph of the Plumed Whistling Duck by H. Goodchild (Dendrocygna eytoni).