A striking 18th-century botanical engraving of Crown Imperial (Fritillaria imperialis), distinguished by unusually bold hand-coloring and a dynamic, flowing composition. This plate exemplifies the expressive character of German botanical illustration, combining strong visual presence with refined natural observation.
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Original engravings from the 17th–19th century.
This original 18th-century hand-colored botanical engraving depicts the Crown Imperial (Fritillaria imperialis), presented in a distinctly bold and expressive style characteristic of German botanical illustration of the period.
Unlike more restrained contemporary works, this plate is defined by its strong hand-coloring and fluid composition, where the plant unfolds across the sheet with remarkable freedom and visual energy.
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The composition is driven by sweeping, almost calligraphic lines formed by the elongated leaves and curving stem. These dynamic elements create a sense of movement rarely seen in botanical engravings, giving the plate an unmistakable decorative presence.
The flowers, rendered in deep red and warm golden tones, are enriched by dense, saturated pigments that enhance their visual intensity. This bold approach to hand-coloring gives the engraving a painterly quality, elevating it beyond purely scientific illustration.
In contrast, the more neutral tones of the seed structures provide balance, anchoring the composition while reinforcing its botanical purpose. This interplay between expressive color and structural detail defines the unique character of the work.
The result is a plate of exceptional visual impact, where botanical observation is transformed into a vivid and highly decorative composition.
Perfect for framing, this print makes a striking statement as a standalone piece or as part of a curated wall arrangement, bringing bold color and dynamic form into refined interior spaces.
Fritillaria imperialis, known as Crown Imperial, has long been admired for its dramatic form and striking coloration. Its pendant flowers and distinctive crown-like structure made it a favored subject in early botanical works.
In this engraving, the species is interpreted with unusual freedom and intensity, reflecting a stylistic approach that prioritizes visual presence as much as botanical accuracy.
This engraving belongs to a group of 18th-century botanical plates distinguished by their bold hand-coloring and expressive character, often associated with German botanical production of the period.
Unlike more academically restrained traditions, these works emphasize visual richness and decorative strength, making them particularly appealing for both collectors and interior settings.
The sheet is printed on fine Dutch laid paper bearing the watermark of J. Honig & Zoonen, one of the most renowned paper mills of the 18th century. Papers from this mill were widely used in high-quality European print production and are today regarded as a hallmark of craftsmanship, durability, and historical authenticity.
Explore the broader botanical context in our editorial feature: Philip Miller — Botanical Science and the Art of Cultivation .
Browse the complete collection: Miller – Uncommon Plants Collection , where works of different stylistic traditions come together within a unified 18th-century botanical corpus.
Excellent antique condition. A particularly crisp and fresh impression, with exceptionally well-preserved and vividly applied original hand-coloring. Printed on fine 18th-century laid paper, retaining generous margins and a bright, clean appearance. The sheet bears the watermark of J. Honig & Zoonen, clearly visible in the paper. Minor signs of age may be present at the extreme edges, as expected, but the print remains exceptionally well preserved overall.
Specific References
A refined 18th-century botanical engraving depicting the chestnut tree, featuring detailed foliage and characteristic fruit. The balanced composition and original hand-coloring create a visually rich and highly decorative natural history print.
A dramatic Cereus engraving by Richard Lancake, featuring a luminous night-blooming flower from Miller’s celebrated 18th-century botanical work.
A striking 18th-century botanical engraving depicting a Blue Crinum Lily (Crinum sp.), distinguished by bold hand-coloring and an elegant vertical composition. The vivid blue blossoms and sculptural foliage exemplify the expressive character of German botanical illustration.
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An original 18th-century hand-colored engraving depicting a Custard Apple (Annona sp.), from Philip Miller’s Figures of the Most Beautiful, Useful, and Uncommon Plants. Combining botanical precision with decorative clarity, the composition features both the plant and its distinctive fruit in sectional detail.
A rare set of four original 18th-century botanical watercolors, entirely hand-painted and rich in color and detail. A curated ensemble combining scientific observation with decorative elegance — perfect for refined interiors and collectors.
A refined 18th-century botanical engraving depicting Dictamnus albus, known for its elegant pink blossoms and structured foliage. The balanced composition and delicate hand-coloring make this a highly decorative and versatile botanical print.
An elegant 18th-century botanical engraving depicting Helleborine, characterized by slender foliage and delicate pink blossoms. The refined vertical composition and original hand-coloring create a balanced and decorative botanical image.
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Original 18th-century hand-colored copper engraving depicts a species of Cassia (now commonly associated with the genus Senna)
An elegant 18th-century botanical engraving of the Belladonna Lily (Amaryllis belladonna), published in Philip Miller’s Figures of the Most Beautiful, Useful, and Uncommon Plants. Presented in exceptional “like brand new” condition, this plate combines scientific clarity with refined decorative appeal, enhanced by fresh original hand-coloring.
A striking 18th-century botanical engraving depicting Glaucium, featuring bold red blossoms and intricately shaped foliage. The expressive composition and original hand-coloring create a vivid and decorative botanical image.
A refined 18th-century botanical engraving depicting an Anemone (Anemone tenuifolia), distinguished by bold hand-coloring and a delicate, minimal composition. The vivid flower contrasts elegantly against the open background, creating a refined decorative presence.
An original 18th-century hand-colored engraving depicting Apocynum scandens, published in Philip Miller’s Figures of the Most Beautiful, Useful, and Uncommon Plants. The composition combines delicate star-shaped flowers, elegant climbing stems, and striking striped seed pods, uniting botanical precision with refined decorative presence.
A curated group of three Acacia engravings by Georg Dionysius Ehret, offering a coherent botanical study of form and variation within the genus.
A vibrant Arbutus engraving by Georg Dionysius Ehret from Miller’s 1755 botanical work, combining botanical precision with striking decorative appeal.
Striking black butterflies with vivid orange and yellow bands. A bold 1835 engraving with strong contrast and exceptional decorative impact.
Nocturnal birds of prey elegantly rendered, showing sharpness and grace.