Nocturnal birds of prey elegantly rendered, showing sharpness and grace.
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Original engravings from the 17th–19th century.
This refined ornithological engraving presents two nocturnal raptors identified in the plate as Gufo reale and Gufo salvatico. The sheet belongs to the ornithological section of the Dizionario di Scienze Naturali, where Pierre Antoine Prêtre renders birds of prey with expressive clarity and disciplined form.
The upper Eagle Owl dominates with imposing presence and flaring ear tufts, while the lower owl introduces softer contours and subtler chromatic transitions, creating a composition rich in texture and psychological intensity.
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The Eagle Owl (Bubo bubo) is rendered in layered amber, ochre, and umber tones, with sharply defined plumage patterns and vivid orange eyes that anchor the composition. The upright posture and extended body create vertical monumentality within the restrained margins of the plate.
Below, the second owl (associated with Strix species) displays cooler grey-brown feathering with delicate linear detailing. The contrast between the textured, almost fiery upper figure and the calmer lower bird produces compositional balance while maintaining the cabinet-of-curiosities clarity characteristic of early nineteenth-century natural history engraving.
The Eagle Owl (Bubo bubo) is one of Europe’s largest and most powerful owls, long associated with wisdom, vigilance, and nocturnal authority. Its imposing size and expressive gaze made it a compelling subject in zoological illustration.
Owls of the genus Strix represent woodland nocturnal species characterized by rounded heads and forward-facing eyes. In nineteenth-century natural history works, nocturnal raptors symbolized both scientific curiosity and the romantic fascination with the unseen world of the night.
This engraving forms part of the historic Dizionario di Scienze Naturali, a monumental early nineteenth-century encyclopedic enterprise once preserved within a noble library and today housed in the Sacchetti Collection. Each plate reflects a period in which scientific ambition was matched by exceptional artisanal execution — from disciplined copperplate linework to luminous hand-applied color.
These works represent a moment when natural history illustration achieved both scientific rigor and aesthetic refinement. To discover the full story behind these rare prints and their noble provenance, we invite you to read our editorial feature “Not Just Another Print”.
The engraving is in very good antique condition. The impression is clean and well-defined, with preserved original hand-colouring. The paper is smooth early nineteenth-century wove paper (non-laid), consistent with Italian scientific editions of the period. No watermark has been observed. Minor age toning, if present, is consistent with antique paper and does not affect the legibility or decorative quality of the plate.
For further context on Pierre Antoine Prêtre and his contribution to nineteenth-century zoological illustration, see our editorial feature:
Pierre Antoine Prêtre – Illustrator of Natural Science and Marine Life
Specific References
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