Cyclamen Plant – Abraham Munting Antique Botanical Engraving
  • Cyclamen Plant – Abraham Munting Antique Botanical Engraving
  • Cyclamen Plant – Abraham Munting Antique Botanical Engraving
  • Cyclamen Plant – Abraham Munting Antique Botanical Engraving
  • Cyclamen Plant – Abraham Munting Antique Botanical Engraving
  • Cyclamen Plant – Abraham Munting Antique Botanical Engraving
  • Cyclamen Plant – Abraham Munting Antique Botanical Engraving
Cyclamen Plant – Abraham Munting Antique Botanical Engraving
Cyclamen Plant (Cyclamen europaeum) – Original Hand-Colored Engraving by Abraham Munting, Antique Botanical Print Cyclamen Plant (Cyclamen europaeum) – Original Hand-Colored Engraving by Abraham Munting, Antique Botanical Print Cyclamen Plant (Cyclamen europaeum) – Original Hand-Colored Engraving by Abraham Munting, Antique Botanical Print Cyclamen Plant (Cyclamen europaeum) – Original Hand-Colored Engraving by Abraham Munting, Antique Botanical Print Cyclamen Plant (Cyclamen europaeum) – Original Hand-Colored Engraving by Abraham Munting, Antique Botanical Print Cyclamen Plant (Cyclamen europaeum) – Original Hand-Colored Engraving by Abraham Munting, Antique Botanical Print

Cyclamen Plant (Cyclamen europaeum) – Original Hand-Colored Engraving by Abraham Munting, Antique Botanical Print

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A rare 17th-century botanical engraving from Abraham Munting’s Nauwkeurige Beschryving der Aardgewassen - Phytographia Curiosa, depicting a cyclamen plant with exposed tuber, delicate pink flowers and richly patterned leaves. An expressive example of early botanical art combining scientific curiosity with striking decorative presence.

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  Authentic antique prints

Original engravings from the 17th–19th century.

Cyclamen Plant: Botanical Curiosity and Rooted Form in Munting’s Vision

This original late 17th-century hand-colored copper engraving depicts Cyclamen Plant, traditionally identified as Cyclamen europaeum, from Abraham Munting’s Dutch work Nauwkeurige Beschryving der Aardgewassen, later known as Phytographia Curiosa, published in 1696.

Unlike later scientific plates, Munting’s compositions present the plant as a complete organism — roots, tuber, stems, leaves and flowers unified in a single image. The result is both descriptive and sculptural, transforming botanical study into a form of structured visual expression.

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Visual and Aesthetic Analysis

The composition is anchored by a large exposed tuber, rendered in warm earthy tones and surrounded by fine, radiating roots that give the plant a grounded yet almost floating presence. Above, slender stems rise gracefully, supporting delicate pink flowers that open in elegant, reflexed forms.

The foliage plays a central decorative role: broad, heart-shaped leaves display intricate marbling in shades of green, creating a rich visual texture that contrasts with the lighter blossoms. This interplay between density and lightness defines the balance of the plate.

At the base, a small landscape vignette and architectural fragment introduce depth and context, characteristic of Munting’s approach — where botanical subjects are placed within a wider imaginative environment rather than isolated as specimens.

The overall composition achieves a refined equilibrium between natural observation and staged presentation, embodying the intellectual culture of the seventeenth-century cabinet of curiosities.

About the Species

Cyclamen europaeum, commonly known as European cyclamen, is a tuberous perennial long appreciated for its distinctive foliage and delicate flowers. Its exposed root structure and patterned leaves made it a particularly intriguing subject for early botanists.

In Munting’s time, such plants were valued not only for their beauty but for their unusual forms, which challenged conventional classifications and contributed to the expanding curiosity about the natural world.

Heritage Stories

This engraving belongs to Nauwkeurige Beschryving der Aardgewassen, later known as Phytographia Curiosa, published in 1696 by Abraham Munting — a work that captures a moment when botanical science, collecting and visual culture were deeply interconnected.

Examples with original contemporary hand-coloring are particularly scarce. Many impressions encountered on the market today have been colored at a later date, whereas early colorings such as this preserve a subtler palette and a closer relationship to the engraved line.

Explore the full collection of Munting botanical engravings: Munting – Botanical Prints

Discover more in our editorial feature: Abraham Munting — Botanical Curiosity and Early Natural Science

Curatorial Note — This engraving is part of a small group of impressions from the same copper plate. While the subject and composition are identical, subtle differences in hand-coloring can be observed between examples.

In the 17th century, each print was colored individually by hand, resulting in natural variations in tone, intensity and balance. These differences are not imperfections, but rather a testament to the artisanal process that makes every impression unique.

For a comparative example of the same subject with a slightly different chromatic interpretation, see: Cyclamen Plant – Alternate Impression .

Condition Report

Excellent antique condition. The original hand-coloring remains fresh and well-preserved, with strong engraved definition throughout. Printed on fine original laid (vergé) paper. The sheet retains well-proportioned margins, slightly smaller than larger examples but still balanced and visually pleasing. No watermark observed. A clean and attractive impression.

Details

  • Author: Abraham Munting
  • Work: Nauwkeurige Beschryving der Aardgewassen (later known as Phytographia Curiosa)
  • Species: Cyclamen Plant (Cyclamen europaeum)
  • Year: 1696 (edition)
  • Technique: Original copper engraving, entirely hand-colored
  • Paper: Original laid (vergé) paper
  • Watermark: None observed
  • Sheet size: approx. 44 × 29 cm
U36
1 Item

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