Original 17th-century hand-colored engraving of Cyclamen (Cyclamen europaeum) by Abraham Munting, featuring exposed root structure and elegant botanical composition.
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Original engravings from the 17th–19th century.
This original late 17th-century hand-colored copper engraving depicts Cyclamen, traditionally identified as Cyclamen europaeum, from Abraham Munting’s Dutch work Nauwkeurige Beschryving der Aardgewassen, later known as Phytographia Curiosa, published in 1696.
Unlike later botanical illustration, Munting’s compositions present the plant as a complete organism and a staged subject — roots, leaves and flowers arranged with deliberate structure, transforming natural history into a refined form of botanical theatre.
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The composition is organized around a striking exposed tuber, rendered as a rounded, almost sculptural form from which a network of fine roots extends downward. This grounded base anchors the entire image, giving the engraving a strong visual foundation and reinforcing Munting’s fascination with the complete organism.
From this central mass rise slender, curved stems that unfold into delicate pink-red flowers. Their upward movement creates a dynamic vertical rhythm, while the reflexed petals introduce a sense of lightness and motion that contrasts with the solidity of the root below.
The broad, heart-shaped leaves form a dense and protective canopy, their variegated green surfaces adding depth through subtle tonal variation. The interplay between rounded foliage, curling tendrils and elegant stems results in a composition that feels both natural and carefully staged.
At the base, a fragment of architectural setting with landscape detail situates the plant within a broader visual narrative. This integration of botany and environment reflects the seventeenth-century culture of the cabinet of curiosities, where nature was observed, collected and displayed as both knowledge and spectacle.
Cyclamen europaeum, commonly known as cyclamen, was long appreciated in European gardens for its distinctive tuberous growth and elegantly reflexed flowers. Its unusual morphology — particularly the exposed root structure — made it a subject of particular interest to early botanists and collectors.
In the seventeenth century, such plants were valued not only for their beauty but for their singular forms, which challenged conventional classifications and contributed to the expanding curiosity about the natural world.
This engraving belongs to Nauwkeurige Beschryving der Aardgewassen, later known as Phytographia Curiosa, published in 1696 by Abraham Munting — a work that captures a transitional moment in the history of botanical illustration, where science, collecting and visual culture were deeply intertwined.
Examples with original contemporary hand-coloring are particularly scarce. Many impressions encountered on the market today have been colored at a later date, often with a more decorative intent. Early colorings such as this preserve a more nuanced palette and a closer dialogue with the engraved line.
Explore the full collection of Munting botanical engravings: Munting – Botanical Prints
Discover more in our editorial feature: Abraham Munting — Botanical Curiosity and Early Natural Science
Curatorial Note — This engraving is part of a small group of impressions from the same copper plate. While the subject and composition are identical, subtle differences in hand-coloring can be observed between examples.
In the 17th century, each print was colored individually by hand, resulting in natural variations in tone, intensity and balance. These differences are not imperfections, but rather a testament to the artisanal process that makes every impression unique.
For a comparative example of the same subject with a slightly different chromatic interpretation, see: Cyclamen Plant – Alternate Impression .
Very good antique condition. The original hand-coloring remains fresh and well balanced, with clear engraved detail throughout. Printed on fine original laid (vergé) paper. The sheet retains good margins, slightly reduced compared to larger examples but still well proportioned. No watermark observed. A clean and visually pleasing impression.
Specific References
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