Original 17th-century hand-colored engraving of Thapsia major by Abraham Munting, featuring architectural form, radial flowering and a rich landscape setting.
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Original engravings from the 17th–19th century.
This original late 17th-century hand-colored copper engraving depicts Thapsia Major, traditionally identified as Thapsia latifolia, from Abraham Munting’s Dutch work Nauwkeurige Beschryving der Aardgewassen, later known as Phytographia Curiosa, published in 1696.
Unlike later botanical illustration, Munting’s compositions present the plant as a complete organism and a staged subject — roots, stems, leaves and flowering structure arranged with deliberate clarity, transforming natural history into a form of botanical theatre.
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The composition is defined by a striking radial flowering structure that unfolds like a natural canopy. The upward-reaching stem supports a perfectly balanced arrangement of delicate umbels, creating a strong architectural presence.
Below, the dense foliage spreads outward in layered, finely divided leaves, forming a rich visual base that contrasts with the lightness of the upper structure.
The landscape setting is particularly refined: figures and animals appear in the distance, introducing scale and narrative depth. This transforms the engraving into a complete scene rather than a purely botanical study.
The balance between structured geometry and natural irregularity reflects Munting’s ability to merge scientific observation with visual composition, resulting in an image that is both informative and highly decorative.
Thapsia species were known in early botanical literature for their strong presence and distinctive flowering structure. Native to Mediterranean regions, they were associated with both medicinal use and natural curiosity.
In the seventeenth century, plants of this kind embodied the expanding geographical knowledge of botanists, reflecting the connection between local flora and broader systems of classification.
This engraving belongs to Nauwkeurige Beschryving der Aardgewassen, later known as Phytographia Curiosa, published in 1696 by Abraham Munting — a work that captures a transitional moment in the history of botanical illustration, where science, collecting and visual culture were deeply intertwined.
Examples with original contemporary hand-coloring are particularly scarce. Many impressions encountered on the market today have been colored at a later date, whereas early colorings such as this preserve a more nuanced palette and a closer dialogue with the engraved line.
Explore the full collection of Munting botanical engravings: Munting – Botanical Prints
Discover more in our editorial feature: Abraham Munting — Botanical Curiosity and Early Natural Science
Very good antique condition. The original hand-coloring remains fresh and well balanced, with clear engraved detail throughout. Printed on fine original laid (vergé) paper. The sheet retains slightly reduced margins compared to larger examples, yet remains well proportioned and visually balanced. No watermark observed. A refined and highly decorative impression.
Specific References
A refined 17th-century botanical engraving from Abraham Munting’s Nauwkeurige Beschryving der Aardgewassen - Phytographia Curiosa, depicting a flowering plant presented in an elaborate sculptural vessel with allegorical figures. A distinctive example of early botanical art where natural observation meets decorative imagination.
A striking 17th-century botanical engraving from Abraham Munting’s Nauwkeurige Beschryving der Aardgewassen, later known as Phytographia Curiosa, depicting Aloe ferox in an elaborate ornamental vase. A highly theatrical composition combining botanical rarity, sculptural form and strong decorative presence.
A striking 17th-century botanical engraving of golden holly, distinguished by its sculptural form and rare chromatic palette. A visually powerful composition blending natural history and decorative art.
A rare 17th-century botanical engraving from Abraham Munting’s Nauwkeurige Beschryving der Aardgewassen - Phytographia Curiosa, featuring original contemporary hand-coloring and generous margins — a refined example of early botanical art where science, curiosity and decorative composition converge.
Original 17th-century hand-colored engraving of a Clematis vine by Abraham Munting, featuring vertical growth, vivid blossoms and refined botanical composition.
A refined 17th-century botanical engraving depicting non-spiny holly, notable for its elegant foliage and vivid berries. A balanced composition combining natural observation with early decorative botanical art.
A rare 17th-century botanical engraving from Abraham Munting’s Nauwkeurige Beschryving der Aardgewassen, later known as Phytographia Curiosa, depicting the extraordinary horned citrus (Malus citria cornuta). A striking example of early botanical curiosity, combining unusual natural form with refined decorative composition.
A striking 17th-century botanical engraving of cyclamen, featuring exposed tuber, marbled foliage and vivid flowers. A refined composition blending scientific observation with decorative balance.
Original 17th-century hand-colored engraving of Cyclamen (Cyclamen europaeum) by Abraham Munting, featuring exposed root structure and elegant botanical composition.
Original 17th-century hand-colored engraving of a spiny Solanum (Solanum aethiopicum) by Abraham Munting, featuring thorned stems, vivid fruit and striking botanical contrast.
Original 17th-century hand-colored engraving of Salvia lutea by Abraham Munting, featuring variegated foliage and a striking cabinet of curiosities composition.
Original 17th-century hand-colored engraving of a sesame plant (Sesamum indicum) by Abraham Munting, featuring exposed roots and a refined botanical composition.
A rare 17th-century botanical engraving from Abraham Munting’s Nauwkeurige Beschryving der Aardgewassen - Phytographia Curiosa, depicting a cyclamen plant with exposed tuber, delicate pink flowers and richly patterned leaves. An expressive example of early botanical art combining scientific curiosity with striking decorative presence.
A striking 17th-century botanical engraving from Abraham Munting’s Nauwkeurige Beschryving der Aardgewassen - Phytographia Curiosa, depicting a monumental aloe with architectural structure and a decorative cartouche. A powerful example of early botanical art combining scientific observation with theatrical composition.
An original 19th-century hand-colored engraving of Morpho leonte, the striking Blue Morpho butterfly, drawn and engraved by Pauquet under the scientific direction of Hippolyte Lucas.