A striking 17th-century botanical engraving from Abraham Munting’s Nauwkeurige Beschryving der Aardgewassen, later known as Phytographia Curiosa, depicting Aloe ferox in an elaborate ornamental vase. A highly theatrical composition combining botanical rarity, sculptural form and strong decorative presence.
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Original engravings from the 17th–19th century.
This original late 17th-century hand-colored copper engraving depicts Aloe Ferox, traditionally identified as Aloe ferox, from Abraham Munting’s Dutch work Nauwkeurige Beschryving der Aardgewassen, later known as Phytographia Curiosa, published in 1696. The plate reflects Munting’s distinctive vision of botany as both scientific inquiry and staged visual spectacle.
Unlike later botanical prints, the plant is not shown as an isolated specimen alone, but elevated within an ornate architectural setting. The result is a composition of exceptional presence, where natural form and decorative invention are deliberately intertwined.
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The composition is dominated by a powerful rosette of spiked leaves, rendered in warm ochre, olive, copper and brown tones that create a dense, almost sculptural mass. The sharply serrated edges intensify the plant’s visual energy, giving it an assertive, architectural character.
This dramatic botanical form rises from an elaborate ornamental vase, decorated with marine motifs, putti and a central cartouche bearing the name Aloe Ferox. The vessel transforms the engraving into a hybrid of botanical study and decorative art, highly characteristic of Munting’s imaginative approach.
The inclusion of small human figures at the side introduces scale and narrative, while the pedestal below lends the entire composition a monumental effect. The image reads not simply as a plant portrait, but as a carefully staged object of wonder.
The large format of the sheet, together with generous original margins, reinforces the engraving’s presence and balance, making it especially effective both as a collector’s piece and as a statement work for display.
Aloe ferox, commonly known as bitter aloe or Cape aloe, is native to southern Africa and has long attracted attention for its bold structure and imposing spiny foliage. In early modern Europe, plants of this kind were especially admired for their exotic character and sculptural appearance.
Within seventeenth-century botanical culture, species such as aloe occupied a special place: they were valued not only as natural specimens, but also as marvels of form, ideally suited to the visual and intellectual world of the cabinet of curiosities.
This engraving belongs to Nauwkeurige Beschryving der Aardgewassen, later known as Phytographia Curiosa, published in 1696 by Abraham Munting — a work that captures the intersection of science, collecting and visual culture in the seventeenth century.
Examples with original contemporary hand-coloring are particularly scarce. Many impressions found on the market today have later coloring, whereas early colorings preserve a closer relationship to the engraved structure and a more refined tonal balance.
Explore the full collection of Munting botanical engravings: Munting – Botanical Prints.
Discover more in our editorial feature: Abraham Munting — Botanical Curiosity and Early Natural Science.
Excellent antique condition. Original hand-coloring remains fresh and vibrant, with strong engraved definition throughout. Printed on fine original laid (vergé) paper. The sheet retains generous original margins, clean and well balanced. No watermark observed. A particularly attractive and well-preserved example.
Specific References
A refined 17th-century botanical engraving from Abraham Munting’s Nauwkeurige Beschryving der Aardgewassen - Phytographia Curiosa, depicting a flowering plant presented in an elaborate sculptural vessel with allegorical figures. A distinctive example of early botanical art where natural observation meets decorative imagination.
Original 17th-century hand-colored engraving of a spiny Solanum (Solanum aethiopicum) by Abraham Munting, featuring thorned stems, vivid fruit and striking botanical contrast.
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Original 17th-century hand-colored engraving of Salvia lutea by Abraham Munting, featuring variegated foliage and a striking cabinet of curiosities composition.
A rare 17th-century botanical engraving from Abraham Munting’s Nauwkeurige Beschryving der Aardgewassen - Phytographia Curiosa, featuring original contemporary hand-coloring and generous margins — a refined example of early botanical art where science, curiosity and decorative composition converge.
A striking 17th-century botanical engraving from Abraham Munting’s Nauwkeurige Beschryving der Aardgewassen - Phytographia Curiosa, depicting a monumental aloe with architectural structure and a decorative cartouche. A powerful example of early botanical art combining scientific observation with theatrical composition.
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Original 17th-century hand-colored engraving of Thapsia major by Abraham Munting, featuring architectural form, radial flowering and a rich landscape setting.
Original 17th-century hand-colored engraving of a Clematis vine by Abraham Munting, featuring vertical growth, vivid blossoms and refined botanical composition.
A rare 17th-century botanical engraving from Abraham Munting’s Nauwkeurige Beschryving der Aardgewassen - Phytographia Curiosa, depicting a cyclamen plant with exposed tuber, delicate pink flowers and richly patterned leaves. An expressive example of early botanical art combining scientific curiosity with striking decorative presence.
A striking 17th-century botanical engraving of golden holly, distinguished by its sculptural form and rare chromatic palette. A visually powerful composition blending natural history and decorative art.
Original 17th-century hand-colored engraving of Cyclamen (Cyclamen europaeum) by Abraham Munting, featuring exposed root structure and elegant botanical composition.
A rare 17th-century botanical engraving from Abraham Munting’s Nauwkeurige Beschryving der Aardgewassen, later known as Phytographia Curiosa, depicting the extraordinary horned citrus (Malus citria cornuta). A striking example of early botanical curiosity, combining unusual natural form with refined decorative composition.
A rare 17th-century botanical engraving from Abraham Munting’s Nauwkeurige Beschryving der Aardgewassen - Phytographia Curiosa, featuring original contemporary hand-coloring and generous margins — a refined example of early botanical art where science, curiosity and decorative composition converge.