An original hand-coloured copper engraving of Protea formosa, published by Henry Charles Andrews in The Botanist's Repository (1799). Distinguished by its spectacular upward flowering styles, exceptionally delicate watercolour and refined botanical execution, this plate represents one of the most elegant Protea engravings of the series.

A striking original hand-coloured engraving depicting the Black-Flowered Showy Protea, published by Henry Charles Andrews in The Botanist's Repository in 1799. Monumental foliage, sculptural flower structure and beautifully preserved hand colouring make this one of the most architecturally impressive plates of the series.

An exceptionally refined original hand-coloured engraving depicting the White Peony, published by Henry Charles Andrews in The Botanist's Repository in 1799. Delicate grey modelling, luminous white petals and beautifully preserved gum arabic finishing make this one of the finest botanical plates of the series.

An original hand-coloured engraving of Camellia japonica from Henry Charles Andrews' celebrated The Botanist's Repository. Published around 1799, this elegant botanical print combines exceptionally refined hand colouring, selective gum arabic finishing on the foliage and Andrews' characteristic handwritten publication inscription.

Monumental original hand-coloured engraving of the Broad-Leaved Showy Protea, published as Plate 110 in Henry Charles Andrews’ The Botanist’s Repository. Its sculptural blue-green foliage and extraordinary rose-pink flower make this one of the most iconic botanical images in the collection.