Antique Print by Pierre-Joseph Redouté – Azarole (Mespilus azarolus)
  • Antique Print by Pierre-Joseph Redouté – Azarole (Mespilus azarolus)
  • Antique Print by Pierre-Joseph Redouté – Azarole (Mespilus azarolus)
  • Antique Print by Pierre-Joseph Redouté – Azarole (Mespilus azarolus)
  • Antique Print by Pierre-Joseph Redouté – Azarole (Mespilus azarolus)
  • Antique Print by Pierre-Joseph Redouté – Azarole (Mespilus azarolus)
  • Antique Print by Pierre-Joseph Redouté – Azarole (Mespilus azarolus)
  • Antique Print by Pierre-Joseph Redouté – Azarole (Mespilus azarolus)
Antique Print by Pierre-Joseph Redouté – Azarole (Mespilus azarolus)
Azarole (*Mespilus azarolus*) / Néflier Azéole Original engraving by Pierre-Joseph Redouté (c.1801-1819) Azarole (*Mespilus azarolus*) / Néflier Azéole Original engraving by Pierre-Joseph Redouté (c.1801-1819) Azarole (*Mespilus azarolus*) / Néflier Azéole Original engraving by Pierre-Joseph Redouté (c.1801-1819) Azarole (*Mespilus azarolus*) / Néflier Azéole Original engraving by Pierre-Joseph Redouté (c.1801-1819) Azarole (*Mespilus azarolus*) / Néflier Azéole Original engraving by Pierre-Joseph Redouté (c.1801-1819) Azarole (*Mespilus azarolus*) / Néflier Azéole Original engraving by Pierre-Joseph Redouté (c.1801-1819) Azarole (*Mespilus azarolus*) / Néflier Azéole Original engraving by Pierre-Joseph Redouté (c.1801-1819)

Azarole (*Mespilus azarolus*) / Néflier Azéole Original engraving by Pierre-Joseph Redouté (c.1801-1819)

€430.00
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Elegant hawthorn study with pale fruit and detailed branch structure. 

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  Authentic antique prints

Original engravings from the 17th–19th century.

This original early 19th-century botanical engraving depicts Mespilus azarolus, known in French as the “Néflier Azérole”. Illustrated by Pierre-Joseph Redouté for his celebrated Arbres et Arbustes, the plate presents a fruiting branch accompanied by detailed anatomical elements, offering a precise and visually complete representation of the species.

Compared to the common medlar, this species is distinguished by smaller, vividly coloured fruits and a more finely structured foliage. Redouté renders these characteristics with clarity and restraint, allowing the botanical differences to emerge naturally through observation rather than emphasis.

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Visual and Aesthetic Analysis

The composition is organized along a gently angled branch, creating a sense of movement while maintaining overall balance. The lobed leaves form a rhythmic pattern across the page, their muted green tones providing a calm backdrop to the warm hues of the fruit.

Clusters of azérole fruits are rendered with subtle variations of yellow, orange, and red, suggesting different stages of ripeness. At the lower margin, the inclusion of a cross-section of the fruit and an isolated seed reinforces the analytical purpose of the plate, integrating scientific description seamlessly into the visual composition.

About the Subject

The azérole (Mespilus azarolus) is a lesser-known relative of the medlar, historically cultivated in parts of southern Europe and the Mediterranean region. In early botanical literature, it was valued both as a fruit-bearing tree and as an object of horticultural study. By documenting this species alongside more familiar medlars, Redouté situates it within a broader botanical continuum, reflecting the period’s interest in varietal distinction and cultivated diversity.

Condition Report

The engraving is in very good condition. Printed on period paper with a clean and stable surface. Light, even age-related toning is present, consistent with works of this age. The impression remains clear and well-defined, margins are preserved, and no significant restorations are observed.

Details

Artist: Pierre-Joseph Redouté
Work / Publication: Arbres et Arbustes
Period: Early 19th century (c. 1801–1819)
Technique: Original hand-colored copper engraving
Sheet size: approx. 40 × 25 cm
Inscriptions: “P. J. Redouté pinx.” / “Lemaire sculp.”

For further context on Pierre-Joseph Redouté and his contribution to botanical illustration, see our editorial feature:
Pierre-Joseph Redouté: Floral Art in the Service of Science

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