Antique Botanical Print – Pierre-Joseph Redouté – Laricio Pine
  • Antique Botanical Print – Pierre-Joseph Redouté – Laricio Pine
  • Antique Botanical Print – Pierre-Joseph Redouté – Laricio Pine
  • Antique Botanical Print – Pierre-Joseph Redouté – Laricio Pine
  • Antique Botanical Print – Pierre-Joseph Redouté – Laricio Pine
  • Antique Botanical Print – Pierre-Joseph Redouté – Laricio Pine
Antique Botanical Print – Pierre-Joseph Redouté – Laricio Pine
Laricio Pine (Pinus laricio) – Matched Pair of Original Engravings by Pierre-Joseph Redouté (c.1801–1819) Laricio Pine (Pinus laricio) – Matched Pair of Original Engravings by Pierre-Joseph Redouté (c.1801–1819) Laricio Pine (Pinus laricio) – Matched Pair of Original Engravings by Pierre-Joseph Redouté (c.1801–1819) Laricio Pine (Pinus laricio) – Matched Pair of Original Engravings by Pierre-Joseph Redouté (c.1801–1819) Laricio Pine (Pinus laricio) – Matched Pair of Original Engravings by Pierre-Joseph Redouté (c.1801–1819)

Laricio Pine (Pinus laricio) – Matched Pair of Original Engravings by Pierre-Joseph Redouté (c.1801–1819)

€1,250.00
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Graceful composition of the Amelanchier with fine leaves and berry-like fruit.

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  Authentic antique prints

Original engravings from the 17th–19th century.

Pinus laricio — A Monumental Study of Needle Rhythm and Cone Structure

This original hand-coloured engraving depicts Pinus laricio, presented as a large-scale branch study with a mature cone and needle clusters rendered with refined botanical clarity. The composition favours amplitude and elegance, allowing the long needles to create a sweeping rhythm across the sheet.

The cone provides structural weight and sculptural texture, its layered scales modelled through controlled shading. Against this, the needle clusters form a near calligraphic movement — a balance of mass and airiness that gives the plate strong decorative authority when framed.

An especially interesting detail in pine identification lies in the “architecture” of the needles: their length, stiffness, and grouping create a visual signature. Here, the species is defined as much by this rhythmic needle language as by the cone itself — a reminder that botanical illustration often served as a practical tool for recognition, not merely ornament.

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Visual and Aesthetic Analysis

The plate is compositionally confident: the branch cuts through the white space with decisive diagonals, while the cone anchors the scene with compact density. Colour remains restrained — cool greens and warm browns — producing a sophisticated, quiet contrast.

The result is both scientific and decorative: a botanical specimen elevated into an image of structural elegance.

Condition Report

The engraving is in Like Brand New condition. The sheet remains clean and well preserved, with fresh original hand-colouring and an even paper tone. No watermark has been observed. The engraved credits confirm its authenticity as an original early nineteenth-century period plate.

Details

  • Artist: Pierre-Joseph Redouté
  • Work / Publication: Arbres et Arbustes
  • Period: early 19th century (c. 1801–1819)
  • Technique: Original hand-colored engraving
  • Paper: Original smooth paper
  • Watermark: None observed
  • Sheet size: approx. 40 × 25 cm

For further context on Pierre-Joseph Redouté and his role within Arbres et Arbustes, see our editorial feature:

Pierre-Joseph Redouté: Floral Art in the Service of Science

UD6
1 Item

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