Antique Marine Engraving – Pierre Antoine Prêtre – Parrotfish
  • Antique Marine Engraving – Pierre Antoine Prêtre – Parrotfish
  • Antique Marine Engraving – Pierre Antoine Prêtre – Parrotfish
  • Antique Marine Engraving – Pierre Antoine Prêtre – Parrotfish
  • Antique Marine Engraving – Pierre Antoine Prêtre – Parrotfish
  • Antique Marine Engraving – Pierre Antoine Prêtre – Parrotfish
  • Antique Marine Engraving – Pierre Antoine Prêtre – Parrotfish
Antique Marine Engraving – Pierre Antoine Prêtre – Parrotfish
Parrotfish (Scarus tenuopterus) – Original hand-colored engraving by Pierre Antoine Prêtre, Antique Print Parrotfish (Scarus tenuopterus) – Original hand-colored engraving by Pierre Antoine Prêtre, Antique Print Parrotfish (Scarus tenuopterus) – Original hand-colored engraving by Pierre Antoine Prêtre, Antique Print Parrotfish (Scarus tenuopterus) – Original hand-colored engraving by Pierre Antoine Prêtre, Antique Print Parrotfish (Scarus tenuopterus) – Original hand-colored engraving by Pierre Antoine Prêtre, Antique Print Parrotfish (Scarus tenuopterus) – Original hand-colored engraving by Pierre Antoine Prêtre, Antique Print

Parrotfish (Scarus tenuopterus) – Original hand-colored engraving by Pierre Antoine Prêtre, Antique Print

€200.00
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Parrotfish illustrated with refined color balance and elegant detail.

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  Authentic antique prints

Original engravings from the 17th–19th century.

A Single Eye as Emblem: Luminous Restraint in Marine Natural History

This original hand-colored engraving depicts the Bigeye Fish, Priacanthus (as identified in the plate tradition associated with Lacépède), presented in a poised lateral profile that foregrounds the species’ most distinctive feature: the enlarged, radiant eye.

The plate is built around scientific clarity. Fin rays are individually engraved, the scale field is rendered with controlled regularity, and hand-colouring is restrained but purposeful — pale silvery tones are warmed with soft yellow accents, preserving legibility while maintaining an elegant, collected presence.

The engraving belongs to the Italian edition of the Dizionario di Scienze Naturali (Florence, Battelli press), one of the most ambitious encyclopedic scientific enterprises of its time, for which Pierre Antoine Prêtre produced a refined series of marine plates.

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Visual and Aesthetic Analysis

The composition is minimal and concentrated: a single specimen floats within generous margins, allowing the engraved line to read with quiet precision. The eye becomes the focal point — a circular motif of amber and black that anchors the entire image.

Subtle tonal modelling along the belly and gill plate adds volume without heaviness, producing a plate that feels simultaneously scientific and remarkably modern in its restraint.

About the Subject

The Bigeye Fish, Priacanthus, is culturally emblematic within marine illustration because the anatomy itself reads as meaning: the enlarged eye evokes depth, twilight waters, and a world not fully accessible to ordinary sight. In the nineteenth century, such species were prized subjects for antique scientific illustration precisely because they suggested ecological specialization and the mystery of deep or dim environments. As a 19th-century marine life print, this engraving offers both symbolic resonance and decorative sophistication — an antique fish engraving where a single anatomical feature becomes the plate’s visual signature.

Heritage Stories

This plate forms part of the historic Dizionario di Scienze Naturali, a monumental early nineteenth-century encyclopedic enterprise once preserved within a noble library and today housed in the Sacchetti Collection. Each engraving reflects a period in which scientific ambition was matched by exceptional artisanal execution — from the disciplined copperplate line to the luminous hand-colouring applied individually to every impression.

To discover the full story behind these rare prints and their noble provenance, we invite you to read our editorial feature “Not Just Another Print”.

Condition Report

The engraving is in excellent antique condition. The sheet presents clean margins and a well-preserved impression. The paper is smooth early nineteenth-century wove paper (non-laid), consistent with Italian scientific editions of the period. No watermark has been observed. The original hand-colouring remains fresh and well preserved, with no visible losses.

Details

  • Artist: Pierre Antoine Prêtre
  • Work / Publication: Dizionario di Scienze Naturali – Sacchetti Collection
  • Period: early 19th century
  • Technique: Original hand-colored engraving
  • Paper: Original smooth wove paper
  • Watermark: None observed
  • Sheet size: approximately 22 × 15 cm

For further context on Pierre Antoine Prêtre and his contribution to nineteenth-century zoological illustration, see our editorial feature:

Pierre Antoine Prêtre – Illustrator of Natural Science and Marine Life

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