Elegant engraving of a guinea fowl and a Mituporanga, with rich textures and natural posture.
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Original engravings from the 17th–19th century.
This refined ornithological engraving presents two gallinaceous birds identified in the plate as Aletori – Occo mituporanga and Gallina di Faraone comune. The sheet belongs to the ornithological section of the Dizionario di Scienze Naturali, where Pierre Antoine Prêtre documents both tropical and African species with disciplined clarity.
The upper Occo is rendered as a compact dark mass, while the lower Guinea Fowl introduces fine speckled patterning and subtle chromatic variation, producing a composition based more on texture than brilliance.
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The Occo (a curassow-type bird associated with the genus Crax) is depicted with deep blue-black plumage and a strong upright stance. The restrained palette enhances the sculptural quality of the form, while the yellow beak provides a discreet focal accent.
Below, the Guinea Fowl (Numida meleagris) is articulated through delicate stippled feather work. The grey body dotted with pale markings contrasts with the vivid red facial wattles, introducing chromatic tension within an otherwise neutral tonal scheme. The generous white ground maintains the cabinet-of-curiosities clarity characteristic of early nineteenth-century zoological plates.
Curassows (family Cracidae) are large tropical birds native to Central and South America. In nineteenth-century Europe they were regarded as exotic and rarely observed species, contributing to the encyclopedic ambition of global documentation.
The Guinea Fowl (Numida meleagris) originates from Africa and was introduced into Europe centuries earlier. Its distinctive spotted plumage made it a frequent subject in natural history illustration, appreciated for its ornamental surface texture rather than vibrant coloration.
This engraving forms part of the historic Dizionario di Scienze Naturali, a monumental early nineteenth-century encyclopedic enterprise once preserved within a noble library and today housed in the Sacchetti Collection. Each plate reflects a period in which scientific ambition was matched by exceptional artisanal execution — from disciplined copperplate linework to luminous hand-applied color.
These works represent a moment when natural history illustration achieved both scientific rigor and aesthetic refinement. To discover the full story behind these rare prints and their noble provenance, we invite you to read our editorial feature “Not Just Another Print”.
The engraving is in very good antique condition. The impression is clean and well-defined, with preserved original hand-colouring. The paper is smooth early nineteenth-century wove paper (non-laid), consistent with Italian scientific editions of the period. No watermark has been observed. Minor age toning, if present, is consistent with antique paper and does not affect the legibility or decorative quality of the plate.
For further context on Pierre Antoine Prêtre and his contribution to nineteenth-century zoological illustration, see our editorial feature:
Pierre Antoine Prêtre – Illustrator of Natural Science and Marine Life
Specific References
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