Original early 19th-century hand-colored engraving depicting King Vulture and Brown Vulture from the Dizionario di Scienze Naturali.
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Original engravings from the 17th–19th century.
This original early nineteenth-century hand-colored engraving presents two imposing vultures identified in the plate as Avvoltoio Monaco – Re degli avvoltoi and Avvoltoio bruno. The sheet forms part of the ornithological section of the Dizionario di Scienze Naturali, illustrated by Pierre Antoine Prêtre under the scientific direction of Turpin.
The upper bird, associated with the Sarcoramphus papa (King Vulture), is rendered with dramatic chromatic contrasts, while the darker lower vulture introduces weight and compositional gravity, forming a powerful vertical pairing.
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The King Vulture is depicted with warm terracotta plumage, contrasting dark wings, and a vividly colored facial area. The precision of the copperplate linework enhances feather articulation while preserving anatomical authority.
Below, the Brown Vulture (associated with Gyps species) appears in deeper umber tones. The dense feather texture and strong stance create a sculptural presence that balances the composition.
The King Vulture inhabits Central and South America and was regarded by early European naturalists as one of the most striking New World raptors. Its inclusion reflects expanding global zoological documentation during the nineteenth century.
Old World vultures such as the Brown Vulture played a central role in ecological systems as carrion specialists. Their depiction in scientific atlases illustrates both naturalistic observation and symbolic fascination.
This engraving originates from the monumental Dizionario di Scienze Naturali, preserved within a noble Roman library and today part of the Sacchetti Collection. The project represents a period when scientific ambition and artisanal engraving converged in works of exceptional refinement.
Discover more about this remarkable provenance in our editorial feature: Not Just Another Print – The Sacchetti Collection.
Very good antique condition. Crisp impression and well-preserved original hand-coloring. Printed on smooth early nineteenth-century wove paper. No watermark observed. Minor age toning consistent with age.
For more about Pierre Antoine Prêtre, see: Pierre Antoine Prêtre – Illustrator of Natural Science
Specific References
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