Two powerful falcons depicted with elegance and sharpness.
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Original engravings from the 17th–19th century.
This ornithological engraving presents two raptors identified in the plate as Astore della nuova Olanda and Sparviere bruno ticchiolato. The sheet forms part of the ornithological section of the Dizionario di Scienze Naturali, where Pierre Antoine Prêtre depicts birds of prey with scientific discipline and elegant compositional clarity.
The upper bird, rendered in pale silver-grey plumage, contrasts with the richly speckled warm-toned sparrowhawk below, creating a refined vertical dialogue between two species of similar form yet distinct temperament.
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The upper hawk is articulated through subtle gradations of grey and ivory, the clean tonal transitions emphasizing feather structure without excess ornament. The yellow talons introduce chromatic tension against the neutral branch.
Below, the sparrowhawk displays layered rust, ochre, and brown spotting across the chest and wing coverts. The careful copperplate linework preserves both scientific legibility and decorative refinement, typical of early nineteenth-century Italian engraving.
The term Astor was historically applied to large hawks within the genus Accipiter. The “Astore della nuova Olanda” refers to a species associated with Australian territories (“New Holland” in early European geography), commonly linked to Accipiter species.
The sparrowhawk, also within the genus Accipiter, represents smaller agile woodland raptors known for rapid flight and precision hunting. Their inclusion in nineteenth-century encyclopedic works reflects expanding global taxonomy and European scientific interest in newly documented territories.
This engraving belongs to the monumental Dizionario di Scienze Naturali, an ambitious early nineteenth-century encyclopedic project preserved within a noble Roman library and today part of the Sacchetti Collection. Each plate embodies a period when scientific expansion and artisanal engraving reached exceptional levels of precision.
To discover the broader historical and cultural context behind these refined natural history prints, we invite you to read our editorial feature “Not Just Another Print”.
The engraving is in very good antique condition. The impression is sharp and the original hand-colouring remains vibrant. The paper is smooth early nineteenth-century wove paper (non-laid), consistent with Italian scientific editions of the period. No watermark has been observed. Minor age toning may be present, consistent with its age.
For further insight into Pierre Antoine Prêtre’s role in nineteenth-century zoological illustration, see our editorial feature:
Pierre Antoine Prêtre – Illustrator of Natural Science and Marine Life
Specific References
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A lively contrast between a fiery red hawk-eagle and a smaller black-and-white goshawk.
Elegant depiction of a Scythrope and a vividly colored red-and-green Trogon perched on branches.
Original early 19th-century hand-colored engraving depicting King Vulture and Brown Vulture from the Dizionario di Scienze Naturali.
Vividly colored engraving of a European Green Woodpecker and a Eurasian Wryneck, masterfully rendered by Prêtre.
Parasitic Kite & Elanus (Milvus sp. & Elanus sp.) – Original Hand-Colored Engraving by Prêtre, Antique Print.
Brilliantly colored honeycreeper and sunbird illustration with tropical vibrancy, captured by Prêtre.
Finely drawn buzzards with a harmonious and naturalistic composition.
Graceful composition of a Yellow Tanager and a more subtly colored species from the Guyana region.
Imposing rendering of the Old World Ostrich and anatomical study of a Rhea foot.
Colored illustration depicting two South American toucans: the Toco and the Red-belted Aracari.
A finely executed early 19th-century botanical engraving illustrating a cultivated apple variety (Malus communis), drawn by Pancrace Bessa for Arbres et Arbustes. The composition combines precise botanical observation with refined decorative balance, presenting fruit and foliage with clarity and quiet elegance. Exceptional hand-colouring and careful modelling reflect the sophistication of French pomological illustration at its height.