A lively contrast between a fiery red hawk-eagle and a smaller black-and-white goshawk.
Your print will be carefully prepared and shipped worldwide via trusted couriers (UPS or similar).
Original engravings from the 17th–19th century.
This refined ornithological engraving presents two raptors identified in the plate as Aquila a gamba calzata – Aquila chiomata and Cimindo – Piccolo Astore di Caienna. The sheet forms part of the ornithological section of the Dizionario di Scienze Naturali, where Pierre Antoine Prêtre depicts birds of prey with scientific clarity and dramatic compositional balance.
The upper crested eagle commands attention with its rich reddish plumage and assertive stance, while the lower bird introduces chromatic contrast and elegant restraint.
— • —
The Aquila chiomata (associated with Nisaetus or crested eagle species) is rendered in deep terracotta and rust tones, articulated through disciplined copperplate linework. The crest and feather layering introduce expressive vitality.
Below, the Cimindo (associated with Accipiter species) displays cooler grey and charcoal plumage. The interplay between warm and cool tonalities creates compositional equilibrium while preserving the scientific precision characteristic of early nineteenth-century engraving.
Crested eagles are large forest raptors known for their striking plumage and upright posture. Historically grouped within Aquila, they are today often classified under genera such as Nisaetus.
The Cimindo, described as originating from Cayenne (Caienna), reflects the expanding geographic scope of nineteenth-century zoology. Such plates illustrate Europe’s growing scientific documentation of South American fauna.
This engraving forms part of the monumental Dizionario di Scienze Naturali, an ambitious early nineteenth-century encyclopedic enterprise preserved within a noble Roman library and today part of the Sacchetti Collection. Each plate reflects a moment when scientific exploration and artisanal engraving achieved remarkable refinement.
To explore the broader historical narrative behind these rare natural history engravings, we invite you to read our editorial feature “Not Just Another Print”.
The engraving is in very good antique condition. The impression remains sharp and the original hand-colouring is well preserved. The paper is smooth early nineteenth-century wove paper (non-laid), consistent with Italian scientific editions of the period. No watermark has been observed. Minor age toning may be present, consistent with its age.
For further insight into Pierre Antoine Prêtre’s contribution to nineteenth-century zoological illustration, see our editorial feature:
Pierre Antoine Prêtre – Illustrator of Natural Science and Marine Life
Specific References
A long-tailed Promerops and a vivid Hoopoe bird, both perched and richly colored against a clean background.
Colored illustration depicting two South American toucans: the Toco and the Red-belted Aracari.
Parasitic Kite & Elanus (Milvus sp. & Elanus sp.) – Original Hand-Colored Engraving by Prêtre, Antique Print.
Finely drawn buzzards with a harmonious and naturalistic composition.
Impressive antique engraving of the Southern Cassowary, a striking flightless bird from New Guinea and northern Australia.
Vibrant parakeets perched on branches: a scarlet macaw and a black cockatoo with yellow and red highlights.
Rare birds of the jungle: the crest-faced Corydon and a luminous green Rupicola.
Vividly colored engraving of a European Green Woodpecker and a Eurasian Wryneck, masterfully rendered by Prêtre.
Graceful composition of a Yellow Tanager and a more subtly colored species from the Guyana region.
Beautiful 19th century illustration of the Buceros rhinoceros, commonly known as the Rhinoceros Hornbill.
Elegant depiction of a Scythrope and a vividly colored red-and-green Trogon perched on branches.
Beautiful engraving combining sacred symbolism and elegant coastal shapes.
A finely executed early 19th-century botanical engraving illustrating a cultivated apple variety (Malus communis), drawn by Pancrace Bessa for Arbres et Arbustes. The composition combines precise botanical observation with refined decorative balance, presenting fruit and foliage with clarity and quiet elegance. Exceptional hand-colouring and careful modelling reflect the sophistication of French pomological illustration at its height.