Spectacular plumage of a domestic rooster and a golden pheasant.
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Original engravings from the 17th–19th century.
This refined ornithological engraving presents two gallinaceous birds identified in the plate as Gallo comune and Fagiano dorato. The sheet belongs to the ornithological section of the Dizionario di Scienze Naturali, where Pierre Antoine Prêtre combines domestic familiarity with exotic brilliance.
The upper rooster stands with upright confidence, while the lower golden pheasant introduces elongated elegance and striking chromatic richness, creating a composition that balances structure and ornament.
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The Rooster is articulated through layered feather detail, where greens, russet tones, and iridescent tail plumes create controlled complexity. The bright red comb provides a focal accent against the darker mantle.
Below, the Golden Pheasant radiates saturated crimson and luminous yellow across the crest and body, contrasted by cool blue wing patches and a long speckled tail. The horizontal extension of the tail introduces movement, while generous negative space maintains the cabinet-like clarity characteristic of early nineteenth-century zoological engraving.
The domestic rooster is associated with Gallus gallus domesticus, long symbolizing vigilance and rural life in European iconography. Its inclusion reflects the encyclopedic ambition to document both wild and domesticated species.
The Golden Pheasant (Chrysolophus pictus) is native to western China and was highly prized in European ornamental collections for its extraordinary coloration. In nineteenth-century natural history illustration, pheasants were celebrated for their elaborate plumage, which translated vividly into hand-applied pigments. This plate therefore juxtaposes rural familiarity with exotic display.
This engraving forms part of the historic Dizionario di Scienze Naturali, a monumental early nineteenth-century encyclopedic enterprise once preserved within a noble library and today housed in the Sacchetti Collection. Each plate reflects a period in which scientific ambition was matched by exceptional artisanal execution — from disciplined copperplate linework to luminous hand-applied color.
These works represent a moment when natural history illustration achieved both scientific rigor and aesthetic refinement. To discover the full story behind these rare prints and their noble provenance, we invite you to read our editorial feature “Not Just Another Print”.
The engraving is in very good antique condition. The impression is clean and well-defined, with preserved original hand-colouring. The paper is smooth early nineteenth-century wove paper (non-laid), consistent with Italian scientific editions of the period. No watermark has been observed. Minor age toning, if present, is consistent with antique paper and does not affect the legibility or decorative quality of the plate.
For further context on Pierre Antoine Prêtre and his contribution to nineteenth-century zoological illustration, see our editorial feature:
Pierre Antoine Prêtre – Illustrator of Natural Science and Marine Life
Specific References
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Elegant depiction of a Scythrope and a vividly colored red-and-green Trogon perched on branches.
Delicate birds from the New World: the vibrant Green Todus and a brown Platyrinchus with unique beak features.
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Brilliantly colored honeycreeper and sunbird illustration with tropical vibrancy, captured by Prêtre.
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Exquisite depiction of the ornate Greater Bird-of-Paradise alongside the striking Common Hill Myna.
Refined old print with two specimens of South American halcyons: one crested and one with a green-blue livery.
Parasitic Kite & Elanus (Milvus sp. & Elanus sp.) – Original Hand-Colored Engraving by Prêtre, Antique Print.