Brilliant peacock wrasse with patterned fins and a silver boga; lively palette and refined stippling for elegant interiors.
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Original engravings from the 17th–19th century.
This original hand-colored engraving presents a vivid pairing of coastal fishes, featuring the Peacock Wrasse, Labrus pavo, alongside a companion figure traditionally identified as a Boga (bogue). The two profiles are set in measured opposition, offering a clear visual contrast between ornamental intensity and quieter, silvery restraint.
The plate reads almost like a design study: one specimen patterned and chromatically rich, the other composed in cooler tones that emphasize structure over decoration. It is scientific illustration with a natural sense of display — documentary in intent, decorative in effect.
The plate belongs to the Italian edition of the Dizionario di Scienze Naturali (Florence, Battelli press), a monumental publication in which Pierre Antoine Prêtre’s zoological subjects stand out for their refinement and display quality.
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The Peacock Wrasse dominates with intricate scale work and a bright red dorsal accent, while the tail is treated like a miniature mosaic — patterned, rhythmic, and remarkably controlled. Fine stippling and crisp edges preserve the sense of precision even within the most decorative passages.
Above, the second fish is rendered in cooler greys and pale metallic tones, serving as a visual counterweight. The overall balance feels curated rather than incidental, with the generous white field framing both specimens in a quiet, museum-like isolation.
Labrus pavo has long been noted for its distinctive colouring and patterning, making it an emblematic subject within nineteenth-century coastal ichthyology. The Boga, by contrast, represents a more understated register of the littoral sea — a recognizable silhouette rendered for clarity rather than spectacle. Encyclopedic works valued such pairings because they communicated diversity through immediate visual comparison: colour, texture, and profile became a readable system, allowing viewers to understand the sea through difference as much as through classification.
This engraving forms part of the historic Dizionario di Scienze Naturali, preserved today in the Sacchetti Collection. These works are nearly two centuries old, created in an era when nature was celebrated through monumental publishing projects — ambitious enterprises that are now practically unachievable.
For the wider context of this noble provenance and its cultural value, we invite you to read “Not Just Another Print”.
The engraving is in excellent antique condition, with clean margins and a fresh, well-preserved hand-coloured surface. Printed on original smooth wove paper (non-laid), consistent with Italian scientific editions of the period. No watermark has been observed. The impression is clear and the colour remains vibrant, with no visible losses.
For further context on Pierre Antoine Prêtre and his contribution to nineteenth-century zoological illustration, see our editorial feature:
Pierre Antoine Prêtre – Illustrator of Natural Science and Marine Life
Looking for: Labrus pavo engraving, peacock wrasse antique print, bogue fish illustration, hand-colored marine life engraving.
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