Beautiful antique flower print of Solandra, with large trumpet-shaped bloom.
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Original engravings from the 17th–19th century.
This original hand-colored engraving depicts Solandra grandiflora, a remarkable tropical species celebrated for its immense pendulous blossom. The composition centers on the elongated chalice-shaped corolla, rendered at near life-size proportion, accompanied by detailed dissections of stamens and floral structure.
The flower’s pale green-to-ivory gradient unfolds with sculptural clarity, its broad flared rim edged in soft shadow. Above, the dense arrangement of leathery leaves provides architectural weight, while the long suspended bloom introduces dramatic vertical movement — a refined study in botanical monumentality.
The plate originates from the Italian edition of the Dizionario di Scienze Naturali (Florence, Battelli press, early nineteenth century), an ambitious encyclopedic enterprise uniting scientific rigor with the finest standards of copperplate engraving and hand-applied color.
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Unlike smaller ornamental blooms, Solandra grandiflora commands space. The fluted corolla resembles a suspended architectural form — almost a vegetal amphora — whose interior reveals the golden stamens. The tonal transition from pale green to cream creates depth and dimensionality rarely achieved in smaller botanical subjects.
Displayed individually, this engraving offers strong vertical emphasis and understated chromatic harmony. It pairs particularly well with interiors favoring restrained palettes, where its sculptural quality becomes the primary focal element.
Solandra grandiflora, often known as the Chalice Vine or Cup of Gold, is native to Central and South America. In nineteenth-century Europe, exotic species such as this symbolized expanding botanical knowledge and the fascination with tropical flora. Its immense, often nocturnally fragrant blossoms attracted particular attention among naturalists and horticulturists, challenging illustrators to reconcile grandeur of scale with scientific precision.
This engraving forms part of the historic Dizionario di Scienze Naturali, once preserved within a noble library and today included in the Sacchetti Collection. Each plate reflects a period when botanical science relied on visual authority — copperplate precision, hand coloring, and scholarly classification working in concert.
To discover more about the cultural and scientific context of these rare prints, we invite you to read our editorial feature “Not Just Another Print”.
The engraving is preserved in very good antique condition. The impression remains sharp and well-defined, with clean margins and stable early nineteenth-century smooth wove paper. No watermark has been observed. The hand-coloring retains clarity and subtle tonal transitions, particularly within the large corolla.
For further insight into Turpin’s contribution to botanical art, see:
Pierre Jean François Turpin – The Botanical Illustrator of Natural Harmony
Specific References
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Antique botanical illustrations of the banana tree and its floral anatomy by Turpin.
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Delicate orchid illustration showing flower, pod and internal anatomy of vanilla.
Stunning antique print of the red-flowering Callistemon, also known as bottlebrush.
A detailed antique plate of Cycas circinalis, the Indian Sago Palm, showing the female specimen and fruit anatomy.
An extraordinary 19th-century engraving of *Artocarpus incisa*, the breadfruit tree, showcasing its bold leaves and unique fruit texture.
Colorful botanical illustration of Pisum arvense, wild pea, engraved by Turpin.