Antique Botanical Print – Pierre Jean François Turpin – Bay Laurel or Cinnamon Tree – *Laurus cinnamomum* Original hand-colored
  • Antique Botanical Print – Pierre Jean François Turpin – Bay Laurel or Cinnamon Tree – *Laurus cinnamomum* Original hand-colored
  • Antique Botanical Print – Pierre Jean François Turpin – Bay Laurel or Cinnamon Tree – *Laurus cinnamomum* Original hand-colored
  • Antique Botanical Print – Pierre Jean François Turpin – Bay Laurel or Cinnamon Tree – *Laurus cinnamomum* Original hand-colored
  • Antique Botanical Print – Pierre Jean François Turpin – Bay Laurel or Cinnamon Tree – *Laurus cinnamomum* Original hand-colored
Antique Botanical Print – Pierre Jean François Turpin – Bay Laurel or Cinnamon Tree – *Laurus cinnamomum* Original hand-colored
Bay Laurel or Cinnamon Tree – *Laurus cinnamomum* Original hand-colored engraving by Turpin, Antique Botanical Print (c.1835) Bay Laurel or Cinnamon Tree – *Laurus cinnamomum* Original hand-colored engraving by Turpin, Antique Botanical Print (c.1835) Bay Laurel or Cinnamon Tree – *Laurus cinnamomum* Original hand-colored engraving by Turpin, Antique Botanical Print (c.1835) Bay Laurel or Cinnamon Tree – *Laurus cinnamomum* Original hand-colored engraving by Turpin, Antique Botanical Print (c.1835)

Bay Laurel or Cinnamon Tree – *Laurus cinnamomum* Original hand-colored engraving by Turpin, Antique Botanical Print (c.1835)

€185.00
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Finely detailed print of Laurus cinnamomum by Turpin, from the Dizionario di Scienze Naturali.

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  Authentic antique prints

Original engravings from the 17th–19th century.

Cinnamon: A Botanical Study of a Global Spice

This refined engraving presents Laurus cinnamomum, historically identified as the cinnamon tree, illustrated with compositional balance and analytical precision. The plate combines a full vegetative branch with flowers and developing fruit, accompanied by detailed studies of floral structures and sectional views, offering a systematic representation of one of the most influential spice plants in global history.

Turpin renders the broad, veined leaves with disciplined tonal gradation, creating depth without visual excess. The delicate inflorescences introduce lightness and rhythm, while the darker fruits establish subtle chromatic contrast within the composition.

The engraving belongs to the Italian edition of the Dizionario di Scienze Naturali (Florence, Battelli press), a monumental early nineteenth-century encyclopedic undertaking devoted to the scientific cataloguing of the natural world through refined copperplate engraving.

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Visual and Aesthetic Analysis

The composition is organized around a gently ascending central stem, from which large elliptical leaves unfold with measured symmetry. The rich green tonal transitions are carefully modulated, enhancing the sculptural quality of the foliage. The small yellow-white blossoms introduce visual delicacy, while the dark oval fruits provide restrained focal points.

The lower analytical figures preserve scientific clarity without overcrowding the field. Displayed independently, the plate offers both botanical gravitas and decorative refinement — ideal for interiors where cultivated understatement is preferred over dramatic spectacle.

About the Subject

Laurus cinnamomum — historically associated with the cinnamon tree — represents one of the most economically significant plants in early modern trade. For centuries, cinnamon was a highly valued commodity within Mediterranean and colonial exchange networks, shaping maritime routes and commercial monopolies. By the early nineteenth century, its botanical classification and morphological study had become essential to scientific documentation. Its inclusion in the Dizionario di Scienze Naturali reflects the Enlightenment effort to reconcile commercial importance with systematic botanical knowledge.

Heritage Stories

This plate forms part of the historic Dizionario di Scienze Naturali, once preserved within a noble library and today housed in the Sacchetti Collection. Each engraving embodies a period when scientific inquiry and artisanal mastery were inseparable — from the precision of the engraved copperplate line to the careful hand-colouring applied sheet by sheet.

Such works were conceived as authoritative visual documents of knowledge. To explore the broader story of these rare prints and their refined provenance, we invite you to read our editorial feature “Not Just Another Print”.

Condition Report

The engraving is in Like Brand New (LBN) antique condition. The sheet presents clean margins and a crisp, well-defined impression. The original early nineteenth-century smooth wove paper remains stable and well preserved. No watermark has been observed. The hand-colouring is balanced and fresh, with excellent tonal stability.

Details

  • Artist: Pierre Jean François Turpin
  • Work / Publication: Dizionario di Scienze Naturali – Sacchetti Collection
  • Subject: Alloro cannella – Laurus cinnamomum
  • Period: early 19th century (c. 1820s)
  • Technique: Original hand-colored engraving
  • Paper: Original smooth wove paper
  • Watermark: None observed
  • Sheet size: approx. 22 × 14 cm

For further context on Pierre Jean François Turpin and his contribution to nineteenth-century botanical science, see our editorial feature:

Pierre Jean François Turpin – The Botanical Illustrator of Natural Harmony

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