Antique botanical of the poisonous yew tree, with vivid red arils.
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Original engravings from the 17th–19th century.
This original hand-colored engraving presents Taxus baccata, the European yew, rendered with disciplined precision and structural clarity. The plate combines a complete branch with characteristic red arils and a sequence of botanical dissections, offering both visual restraint and scientific depth.
Turpin’s composition is austere and balanced: dark evergreen needles arranged in measured symmetry along the stem, punctuated by luminous red fruits that provide subtle chromatic contrast. The anatomical figures placed below articulate seed structure and reproductive detail, grounding the image firmly in systematic botanical study.
The engraving belongs to the Italian edition of the Dizionario di Scienze Naturali (Florence, Battelli press), an early nineteenth-century encyclopedic undertaking dedicated to cataloguing the natural world through refined copperplate engraving and careful observation.
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The composition is linear and controlled, defined by the vertical stem and horizontal branching. Deep green tonal fields dominate the visual space, while the red arils create focal accents of restrained intensity. The contrast between the living branch and the precisely rendered sectional views below introduces a dialogue between organic growth and analytical method.
Displayed individually, the plate offers a quiet, contemplative presence. Its chromatic sobriety makes it particularly suitable for interiors that favor heritage tones and botanical understatement.
Taxus baccata, native to Europe and parts of western Asia, has long occupied a distinctive place in botanical, cultural, and symbolic history. Frequently planted in churchyards and formal gardens, the yew became associated with longevity, endurance, and solemnity. At the same time, its botanical characteristics — evergreen foliage, fleshy arils surrounding a single seed, and toxic properties — made it an important subject in early modern natural history. Its inclusion in encyclopedic works such as the Dizionario di Scienze Naturali reflects the period’s effort to reconcile cultural familiarity with systematic classification.
This plate forms part of the historic Dizionario di Scienze Naturali, once preserved within a noble library and today housed in the Sacchetti Collection. Each engraving embodies a period when scientific inquiry and artisanal skill converged — from the precision of the engraved copperplate line to the carefully applied hand-colouring executed sheet by sheet.
Such works were conceived as authoritative visual documents of knowledge. To explore the broader story of these rare prints and their refined provenance, we invite you to read our editorial feature “Not Just Another Print”.
The engraving is in excellent antique condition. The sheet presents clean margins and a crisp, well-defined impression. The original early nineteenth-century smooth wove paper remains stable and well preserved. No watermark has been observed. The hand-colouring retains balanced tonal depth, with particularly well-preserved greens and vivid red accents in the arils.
For further context on Pierre Jean François Turpin and his contribution to nineteenth-century botanical science, see our editorial feature:
Pierre Jean François Turpin – The Botanical Illustrator of Natural Harmony
Specific References
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