Antique Botanical Print – Pancrace Bessa – Franc-Kenthal Grape
  • Antique Botanical Print – Pancrace Bessa – Franc-Kenthal Grape
  • Antique Botanical Print – Pancrace Bessa – Franc-Kenthal Grape
  • Antique Botanical Print – Pancrace Bessa – Franc-Kenthal Grape
  • Antique Botanical Print – Pancrace Bessa – Franc-Kenthal Grape
  • Antique Botanical Print – Pancrace Bessa – Franc-Kenthal Grape
Antique Botanical Print – Pancrace Bessa – Franc-Kenthal Grape
Franc-Kenthal Grape (*Vitis vinifera*) var. Franc-Kenthal, Antique botanical print by Bessa (c.1801-1819) Franc-Kenthal Grape (*Vitis vinifera*) var. Franc-Kenthal, Antique botanical print by Bessa (c.1801-1819) Franc-Kenthal Grape (*Vitis vinifera*) var. Franc-Kenthal, Antique botanical print by Bessa (c.1801-1819) Franc-Kenthal Grape (*Vitis vinifera*) var. Franc-Kenthal, Antique botanical print by Bessa (c.1801-1819) Franc-Kenthal Grape (*Vitis vinifera*) var. Franc-Kenthal, Antique botanical print by Bessa (c.1801-1819)

Franc-Kenthal Grape (*Vitis vinifera*) var. Franc-Kenthal, Antique botanical print by Bessa (c.1801-1819)

€1,280.00
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Compact dark grape cluster with sharply defined foliage. 

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  Authentic antique prints

Original engravings from the 17th–19th century.

French Cultivated Grapes (Franco-Renthal) — A Sculptural Cluster in Deep Blue-Violet Tones

This original early 19th-century botanical engraving depicts Vitis vinifera (grapevine) as a cultivated French variety, presented with striking clarity and a quietly monumental sense of form. A single branch runs on a gentle diagonal, carrying a dense, pendulous cluster of grapes and a broad, sharply veined leaf—an arrangement that feels both natural and deliberately composed.

Pancrace Bessa’s hand-colouring is especially accomplished in the fruit: each grape is modeled as an individual sphere, with soft tonal transitions and restrained highlights that create real volume without theatrical contrast. The palette leans toward cool blue-violet and slate tones, balanced by muted greens and warm notes in the vine, giving the image an elegant depth that reads beautifully in interiors.

Issued as part of Arbres et Arbustes, this plate reflects the period’s cultivated orchard culture, where varieties of fruit were recorded with the same seriousness devoted to ornamental plants—an exacting meeting of botanical observation and refined domestic taste.

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Visual and Aesthetic Analysis

The composition is built around a confident dialogue between mass and structure: the grape cluster forms a compact, weighty volume, while the leaf acts as a broad, architectural counterbalance. Negative space is left intentionally generous, allowing the subject to “float” with a gallery-like clarity and reinforcing the sculptural presence of the fruit.

Fine stippled modelling and careful hand-colour harmonisation give the grapes a convincing three-dimensionality. Even at a distance, the cluster reads as tactile and mature—one of the reasons these vineyard plates feel quietly luxurious while remaining firmly within the tradition of engraved botanical illustration.

About the Subject

The plate is identified as Vitis vinifera and described in the publication as a cultivated vine variety:

  • Scientific name: Vitis vinifera
  • Category: Vigne cultivée (cultivated vine)
  • Variety (as printed): Franco-Renthal

Rather than presenting blossoms or a full vine habit, Bessa concentrates on the fruiting character—density, maturity, and chromatic depth—while the leaf and vine provide botanical structure and a refined sense of balance.

Condition Report

The engraving is in very good antique condition. A few very light, scattered toning spots may be observed, remaining discreet and not distracting from the image. The original hand-colouring is well preserved. No watermark has been observed. The engraved credits “P. Bessa pinx.” and “Amb.se Legrand sculp.” are present, attesting to the original drawing by Pancrace Bessa and the engraving executed by Legrand.

Details

  • Artist: Pancrace Bessa
  • Engraver: Legrand (as stated on the plate)
  • Work / Publication: Arbres et Arbustes
  • Period: early 19th century (c. 1801–1819)
  • Technique: Original hand-colored engraving
  • Paper: Original period paper
  • Watermark: None observed
  • Sheet size: approx. 40 × 25 cm

For insight into Bessa’s distinctive hand-colouring techniques, see our editorial feature on Pancrace Bessa:

Pancrace Bessa: the Naturalist Painter of Botanical Grace

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